Now is the Time

Saturday, 9 to 10 pm on HD-2 and the Classical Stream

Contemporary American music is being recorded all the time, and Now is the Time to take a listen and explore the music of American composers today. All types...all styles...listen to contemporary American music every Saturday night with host and composer Kile Smith.

Blues on Now Is the Time

Aug 19, 2016

It’s blue and it’s the blues on Now Is the Time, Saturday, August 20th at 9 pm, We pick a Blueberry Rag-A-Muffin to begin the program, one of Linda Robbins Coleman’s many delightful piano rags, and then turn to the second movement of David Amram’s Violin Concerto, called Blues, which also includes an extended saxophone solo.

Yesterday in New York, something very big happened outside Lincoln Center: One thousand people gathered to sing a new piece by Pulitzer Prize-winning composer David Lang. Entitled the public domain, it was a celebration of the 50th anniversary of the Mostly Mozart festival.

We're looking at the sky and beyond on Now Is the Time, Saturday, August 13th at 9 pm. Dark Clouds Bring Waters is William McClelland’s setting of John Bunyan: “Dark clouds bring waters, when the bright bring none.” Elena Ruehr follows that with lovely music for flute and piano, Of Water and Clouds.

Pieces of this and that country make up Now Is the Time, Saturday, August 6th at 9 pm. Two works of Mason Bates seemingly float in space, as Chanticleer sings the Maori-inspired Observer in the Magellanic Cloud, and the Boston Modern Orchestra Project performs Mothership, along with electronics and a guzheng, the Chinese zither. Argentine sounds invest the lovely Dances of Mario Broeders for flute and harp, and the Cambodian American Chinary Ung brings Water Rings Overture for orchestra.

Slowly but surely, Lubomyr Melnyk is getting noticed. This summer, the enigmatic Ukrainian-born pianist, who looks like Rasputin's doppelgänger, released illirion on Sony Classical.

At the gateway of August, summertime looks like it will never end—but it won’t be long until it begins to fade. On Now Is the Time, Saturday, July 30th at 9 pm on WRTI-HD2 and the all-classical webstream at wrti.org, Dan Becker starts us off with a cut from his Fade album that looks forward and back, ReInvention 1a. Imagine a J. S. Bach invention run through a digital piano with postminimalist leanings, and maybe you can imagine the excitement and quirkiness of this piece. Then, Jennifer Higdon’s Dash for flute, clarinet, and piano is all that and a cloud of dust.

From its mesmerizing ebb and flow and the purity of the choristers' blend alone, you'd be forgiven for thinking this might be one of Henryk Górecki's many sacred choral works. There's a palpable air of serenity and reflection. But instead, it's a song about a little pony and a blue-eyed girl.

Join us this Sunday, from 1 to 3 pm, for a Philadelphia Orchestra concert from mid April that brings us two Philadelphia Orchestra commissions – Maurice Wright’s Resounding Drums, a timpani concerto composed for the Orchestra’s principal timpanist, Don Liuzzi, and the Clarinet Concerto by Jonathan Leshnoff, composed for the principal clarinetist of the Philadelphians, Ricardo Morales.

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