Over the course of a career that lasted some sixty years, pianist, producer and songwriter Allen Toussaint's music and sound became a hugely influential force for artists working in many different genres. Toussaint died on Monday night in Madrid, at the age of 77.
As the news has spread, artists and other luminaries have been pouring out their grief on social media. Here's a selection of their tributes.
No tricks...we plan on bringing you nothing but musical treats this Halloween! Tune in starting at 6 pm on Saturday, October 31st as Jeff Duperon kicks off an evening of sweet and savory jazz. Have you ever noticed how many tunes reference food, or even have food in the title? Jeff will showcase these fun songs throughout the evening, and the delicious jazz morsels will continue with Tim Johnstone after midnight, until it's time for breakfast.
Witnessing certain events, and meeting certain people earlier in life, can sometimes become meaningful as time goes by—especially when the witness goes on to become a writer, historian, or otherwise chronicler of life’s personalities and events.
It was easy to see why bassist Ben Williams’s debut CD State of Art made such a splash. It had a deserved buzz around a rising talent, and remains a primer for how to make a modern jazz record.
Since then, besides heavy side-gigging and touring with his band as Ben Williams and Sound Effect (Christian Sands, Marcus Strickland, Matthew Stevens, and John Davis), the 30-year-old had a key role in the Pat Metheny Unity Group. The band played over 150 shows internationally in 2013, which is a lot of experience in a compressed time frame.
So it’s not surprising that his follow-up CD, Coming of Age, is a rush of pleasure from beginning to end.
A taste of the new Ben Williams CD, Coming of Age:
The highly-disciplined Williams, a Juilliard graduate and winner of the 2009 Thelonious Monk International Jazz Bass Competition, weds fresh jazz to pop and R&B on seriously engaging tunes that hum and heave from his nimble bass whether he’s on acoustic or electric. The record is backboned by tracks that electrify (“Strength and Beauty”) and groove (“Half Steppin’”), yet his vocal collaborations with soul singer Goapele (“Voice of Freedom”) and a reprise of a track called “Toy Soldiers” with rap/spoken-word artist W. Ellington Felton satisfy the de rigueur groove revivalism and album’s crossover appeal.
Instrumentals like “Black Villain Music” and the sweet gloss of strings and muted trumpet by guest Christian Scott on “Lost And Found” will satisfy on multiple spins, but it’s the keyed-up guitar solos, funky electric piano, sonorous sax, and wicked beats that give Coming of Age its more-than-just-jazz appeal.
It’s a contagious hang, fueled by virtuosity and vision along with Williams’s canny sense of music-making.
Join WRTI on Tuesday, May 26th as we celebrate on the of coolest cats to ever grace the stage...the legendary Miles Dewey Davis.
Miles was known to be in the right place at the right time, as he always seemed to choose the perfect personnel to join him on his evolutionary recordings, which helped to hurl him into international stardom. He also launched the careers of many a jazz legend, and had enormous influence over some artists whom he never even met.
The notion that “everything old is new again” blossoms like spring on the charming self-titled debut record by the DUCHESS trio, and it’s altogether refreshing. With a sound inspired by songs sung by the Boswell Sisters and the Andrews Sisters—albeit with classy, updated arrangements—to charts that date back to the 1930s and '40s, Amy Cervini, Hilary Gardner, and Melissa Stylianou are three strong jazz and pop vocalists with their own solid careers. Here, they serve up sophisticated humor (Cy Coleman’s “A Doodlin’ Song”) and café society swing (Peggy Lee’s “Love Being Here With You”) with the cleverest wit.
Join us on Tuesday, April 7th during jazz hours for our centennial tribute to Billie Holiday, who was born in West Philadelphia, on April 7, 1915, and went on to become a musical and social phenomenon who changed the face of music forever.
As part of Vintage Week on WRTI, we'll present anecdotes about Lady Day and continue to play vintage jazz favorites from our jazz staff in celebration of Jazz Appreciation Month.
There are jazz pianists who lead their own bands, and then there is the innovative Marcus Roberts, an Ellington acolyte and original Young Lion (along with his peer, bandleader and collaborator Wynton Marsalis). Though some critics shrugged when Roberts released his early opus, Deep in The Shed (1998), many—including me—found that work exhilarating and an essential jazz recording.