Jazz Through the Day

Monday through Saturday, 6 am to 6 pm
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Join us for an exploration of the American treasure we all know as jazz - great sounds from great artists, featuring music by the masters as well as those who are new on the scene.

Listening to Joanna Pascale sing is like getting a big hug. Her voice is warm, wise and easy to love. The Philly native has put out fine solo albums previously, but nothing like Wildflower, a deeply felt record that freely mixes pop tunes, blues, and outlier standards.

My Friend, Ornette Coleman

Jun 24, 2015

John Rogers is a photographer living in New York City who specializes in jazz. A few weeks ago, he approached NPR with the idea to document the unique connection he shared with his friend Ornette Coleman. He was working on it when Coleman died last week at 85. Rogers finished the story for us here. --Ed.

From 2010 to 2015, composer and pianist Dave Burrell wrote 24 works inspired by his study of the Rosenbach of the Free Library of Philadelphia’s collection of Civil War documents and photos. The poems and lyrics of Monika Larsson also gave life to many of these compositions. Consulting with experts and scholars, Burrell and Larsson traced the route of Abraham Lincoln’s funeral train from Washington to Springfield, Illinois.

John Raymond Convinces in Foreign Territory

Jun 20, 2015
John Raymond
Eric Ryan Anderson

A fast-rising modernist, trumpeter John Raymond assembles a solid team of musicians for his sophomore release Foreign Territory. Anchored by the resolute Billy Hart on the drums, bassist Joe Martin, and the gifted pianist Dan Tepfer, Raymond delivers a masterful set of multi-textured songs; they swing obliquely and pull you in with disarming ease.

I’m not sure what year I became a June Christy fan, but it must have been during her later years with the Stan Kenton band. I liked Kenton’s innovative approach to jazz. I first saw the band perform at Philly’s Academy of Music in the early 1950s. Christy was a member of the band at the time, but I don’t remember seeing her that night. At that time, almost everyone went to see Kenton’s trumpet virtuoso Maynard Ferguson—whose high notes on the instrument threatened to bring rain.

Pianist Harold Mabern is a two-fisted swinger, a legendary presence on the many great Blue Note dates of the ’60s, who continues to add a distinctive groove to his many solo projects. He’s partial to playing blocks of chords hard and quick, as if he needs to get somewhere fast. His melodic ideas seem to dance from his fingertips. It’s his signature technique combined with a sound that’s shot through with honey-dripping soul, as sweet and graceful as can be.

A Band Of Their Own

May 30, 2015

It’s that sound...that unmistakable straight, round sound. But even though Miles Davis has a unique voice, that isn’t the only reason he’s one of the giants in the history of jazz.

Swing turned into bebop, and while the energy was exciting, the furious notes and harmonies threatened to turn jazz into a mere showcase for virtuosos. The music was starting to be overwhelmed. So were audiences.

Miles Davis slowed down the pace, making his music—and his trumpet—sound more like the human voice. He revolutionized music by going back to its roots.

Join WRTI on Tuesday, May 26th as we celebrate on the of coolest cats to ever grace the stage...the legendary Miles Dewey Davis.

Miles was known to be in the right place at the right time, as he always seemed to choose the perfect personnel to join him on his evolutionary recordings, which helped to hurl him into international stardom.  He also launched the careers of many a jazz legend, and had enormous influence over some artists whom he never even met.