Jazz Through the Day

Monday through Saturday, 6 am to 6 pm
  • Hosted by heard on HD-2 and the jazz stream

Join us for an exploration of the American treasure we all know as jazz - great sounds from great artists, featuring music by the masters as well as those who are new on the scene.

Howard Pitkow Photography

A former WRTI host stays close to jazz with an organization designed to extend its reach. WRTI’s Meridee Duddleston speaks with the founder of the Philadelphia Jazz Project.

Have popular “performance spectacles” replaced the straightforward dance between a jazz artist and an instrument? Director of the Philadelphia Jazz Project, Homer Jackson, is considering that question and innovative approaches to the performance of music that has often depended upon an intimate feel - and feeling.

In Opera Philadelphia's Charlie Parker’s YARDBIRD, composer Daniel Schnyder illuminates the life of the groundbreaking jazz saxophonist. But, as WRTI’s Kile Smith reports, while the music is all original, the composer couldn’t help slipping in just a taste of Parker for the opera’s lead tenor, Lawrence Brownlee.
 

What composer Daniel Schnyder did not want to write in his opera about the great Charlie Parker was warmed-over bebop. His opera, Charlie Parker’s YARDBIRD, is original through and through.

From 2010 to 2015, composer and pianist Dave Burrell wrote 24 works inspired by his study of the Rosenbach of the Free Library of Philadelphia’s collection of Civil War documents and photos. The poems and lyrics of Monika Larsson also gave life to many of these compositions. Consulting with experts and scholars, Burrell and Larsson traced the route of Abraham Lincoln’s funeral train from Washington to Springfield, Illinois.

A summer jazz series is once again showcasing music in a historic neighborhood setting. WRTI’s Susan Lewis has more on the annual series presented by Sol Unlimited Jazz and Arts.

Susan Lewis: The idea behind a family-friendly jazz series started with Sol Unlimited’s driving force, singer-songwriter Serena Sol Brown, who studied piano and experienced jazz at an early age.

Listening to Joanna Pascale sing is like getting a big hug. Her voice is warm, wise and easy to love. The Philly native has put out fine solo albums previously, but nothing like Wildflower, a deeply felt record that freely mixes pop tunes, blues, and outlier standards.

My Friend, Ornette Coleman

Jun 24, 2015

John Rogers is a photographer living in New York City who specializes in jazz. A few weeks ago, he approached NPR with the idea to document the unique connection he shared with his friend Ornette Coleman. He was working on it when Coleman died last week at 85. Rogers finished the story for us here. --Ed.

From 2010 to 2015, composer and pianist Dave Burrell wrote 24 works inspired by his study of the Rosenbach of the Free Library of Philadelphia’s collection of Civil War documents and photos. The poems and lyrics of Monika Larsson also gave life to many of these compositions. Consulting with experts and scholars, Burrell and Larsson traced the route of Abraham Lincoln’s funeral train from Washington to Springfield, Illinois.

John Raymond Convinces in Foreign Territory

Jun 20, 2015
John Raymond
Eric Ryan Anderson

A fast-rising modernist, trumpeter John Raymond assembles a solid team of musicians for his sophomore release Foreign Territory. Anchored by the resolute Billy Hart on the drums, bassist Joe Martin, and the gifted pianist Dan Tepfer, Raymond delivers a masterful set of multi-textured songs; they swing obliquely and pull you in with disarming ease.

I’m not sure what year I became a June Christy fan, but it must have been during her later years with the Stan Kenton band. I liked Kenton’s innovative approach to jazz. I first saw the band perform at Philly’s Academy of Music in the early 1950s. Christy was a member of the band at the time, but I don’t remember seeing her that night. At that time, almost everyone went to see Kenton’s trumpet virtuoso Maynard Ferguson—whose high notes on the instrument threatened to bring rain.

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