Jazz with Bob Perkins

Monday through Thursday, 6 to 9 pm; Sunday 9 am to 1 pm

Lovingly known as “BP with the GM” (Bob Perkins with the Good Music), BP brings you that good music just in time for dinner during your work week, and keeps your Sunday brunch swinging. His selections are like a familiar hug from Jazz Land featuring your favorite standards and vocalists such as Sarah, Ella, and Nat, some Big Band legends including the Duke and the Count, and the giants of the instrumentals like Lee Morgan, Hank Crawford, Miles, and Coltrane. Take a listen to "Ol' BP" as he calls himself...you'll be back again and again.

Take a look at this photo album of Mr. Perkins through the years.

Scroll down to see recent playlists.

It Could Be YOUR Voice on WRTI!

Aug 20, 2015

You’ve heard them before…the voices of listeners on the air, sharing stories about why they love WRTI. That could be you! We’d like to know:

What keeps you listening? Why is WRTI important to you? And if you’re a member, why do you support WRTI?

You’re cordially invited to the WRTI studios on Temple University’s campus to record your own testimonial. And while you’re here, we’ll show you around the station.

Vote For Your Favorite Jazz Song Today!

Aug 10, 2015

Who sung it? Who swung it? Who brung it? We want to know. Vote for your #1 favorite jazz song here.  We're counting down our listener-selected top 100 jazz songs starting on Friday, September 4th at 6 pm. The fun continues through Monday, September 7th. Please vote below.

WRTI's 2015 Labor Day Weekend Jazz Countdown is a must-listen event. Tune in! And thank you so much for your participation.

Bettmann/CORBIS

In the 1940s, when jazz singer Billie Holiday was at the height of her power and artistry, she always performed wearing at least one white gardenia in her hair. WRTI's Meridee Duddleston visits Drexel University professor and fashion scholar Alphonso McClendon, who looks at the meaning behind that statement and fashion in his book Fashion and Jazz: Dress, Identity and Subcultural Improvisation. 

This past spring, the site of a weekly jam session celebrated a quarter century of making music in the shadow of the Vine Street Expressway. Now, as the informal jazz nights relocate from the 23rd Street Café to the Manayunk Brewing Company and Restaurant ,we return to Meridee Duddleston’s look at the friendly vibe that’s their hallmark.

Herman DeJong is an architect who came to Philadelphia from Holland in the mid 1960s. He played the bass and started connecting with local jazz enthusiasts. He wanted to find a place to invite them to jam. 

The Philadelphia Jazz Project and WRTI are partnering to present a very special concert featuring the Philadelphia premiere of Letieres Leite & Orkestra Rumpilezz, with guests Arturo O'Farrill & Steve Bernstein, and Another Holiday For Skins w/Pablo Batista, Mike Boone, Luke Carlos O'Reilly, and others. Don't miss this unique experience of hearing Afro-Brazilian percussion in Big Band Jazz style!

Friday, July 31st, at 7:30 pm at TPAC/Temple Performing Arts Center, 1837 N. Broad Street, Philadelphia, PA 19122. Tickets $10 in advance / $15 at the door. Order tickets here.

My Friend, Ornette Coleman

Jun 24, 2015

John Rogers is a photographer living in New York City who specializes in jazz. A few weeks ago, he approached NPR with the idea to document the unique connection he shared with his friend Ornette Coleman. He was working on it when Coleman died last week at 85. Rogers finished the story for us here. --Ed.

I’m not sure what year I became a June Christy fan, but it must have been during her later years with the Stan Kenton band. I liked Kenton’s innovative approach to jazz. I first saw the band perform at Philly’s Academy of Music in the early 1950s. Christy was a member of the band at the time, but I don’t remember seeing her that night. At that time, almost everyone went to see Kenton’s trumpet virtuoso Maynard Ferguson—whose high notes on the instrument threatened to bring rain.

It’s that sound...that unmistakable straight, round sound. But even though Miles Davis has a unique voice, that isn’t the only reason he’s one of the giants in the history of jazz.

Swing turned into bebop, and while the energy was exciting, the furious notes and harmonies threatened to turn jazz into a mere showcase for virtuosos. The music was starting to be overwhelmed. So were audiences.

Miles Davis slowed down the pace, making his music—and his trumpet—sound more like the human voice. He revolutionized music by going back to its roots.

Join WRTI on Tuesday, May 26th as we celebrate on the of coolest cats to ever grace the stage...the legendary Miles Dewey Davis.

Miles was known to be in the right place at the right time, as he always seemed to choose the perfect personnel to join him on his evolutionary recordings, which helped to hurl him into international stardom.  He also launched the careers of many a jazz legend, and had enormous influence over some artists whom he never even met.

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