Discoveries from the Fleisher Collection

The first Saturday of each month, 5 to 6 pm; Wednesdays, 9 to 10 pm on HD-2

In Discoveries from the Fleisher Collection, we uncover the unknown, rediscover the little-known, and take a fresh look at some of the remarkable treasures housed in the Edwin A. Fleisher Collection of Orchestral Music in the Free Library of Philadelphia. The Fleisher Collection is the largest lending library of orchestral performance material in the world.

Kile Smith

Anniversaries bump into each other on this Discoveries from the Fleisher Collection, Saturday from 5 to 6 pm on WRTI. It’s year 500 since the beginning of the Reformation, almost to the day, when Martin Luther posted 95 theological and ecclesiastical points he wished to debate with all comers. Nobody dared to take him up on it, but from the door of the Wittenberg Castle Church in 1517 a revolution in religion, humanism, freedom, and language swept across the world. And it was accompanied by music.

Discoveries from the Fleisher Collection, Saturday, Oct. 7th, 5 to 6 pm. Joseph Haydn (1732–1809) is the “Father of the Symphony” in the same way that George Washington (born the same year) is the “Father of our Country.” Thomas Jefferson wrote the Declaration of Independence, and he and others generated the Constitution and other central documents, but Washington’s leadership was the foundation on which the country was built. Similarly, the symphony owes its early growth to Haydn.

Coming up on Discoveries from the Fleisher Collection, Saturday, September 2nd, 5 to 6 pm: Part of the joy of producing Discoveries from the Fleisher Collection is in the finding of connections. We’ve seen, for instance, how the German-English Frederick Delius became a real composer in 1884 by living in Florida, and we idly notice that this is the same year Niels Gade wrote Holbergiana, his tribute to the great writer Ludvig Holberg. This of course reminds us of the famous Holberg Suite of Edvard Grieg. We see that it, too, was written in 1884, and we wonder why.

This Saturday at 5 pm on Discoveries from the Fleisher Collection: We heard Charles Ives by way of William Schuman last month on Discoveries, so it’s appropriate that we should hear Schuman on his own this month. You may remember that Ives had composed Variations on “America” for organ in 1891; William Schuman orchestrated it in 1964 and it’s been in the repertory ever since.

Discoveries from the Fleisher Collection, Saturday at 1 pm, starts the Independence Day weekend with that most independent of American composers, Charles Ives. His music is wild, grand, humorous, poignant, and, at times, ornery. Most of all, though, it is shot through with that very American streak of independence.

Discoveries from the Fleisher Collection, Saturday June 6th, 5 to 6 pm... In the last Discoveries we took a snapshot of Saint-Saëns, Ravel, and Poulenc from 100 years ago. Each was from a different world of French music. Camille Saint-Saëns was old: older than the old guard, older than the director of the Paris Conservatory Gabriel Fauré (his student and Ravel’s teacher), and older, even, than Fauré’s predecessor Théodore Dubois.

One hundred years ago, 18-year-old Francis Poulenc was looking for a composition teacher, and being recommended by the pianist Ricardo Viñes to Maurice Ravel, went to meet him, scores in hand. Ravel was already well-known, having composed much of the music for which he is famous today.

On Discoveries from the Fleisher Collection, Saturday April 1st, 5 to 6 pm. It almost seemed as if Wilhelm Peterson-Berger was never at home. Born 150 years ago, he grew up in a small northern Swedish town, Umea, nearer to Lapland than to Stockholm. He felt hemmed in and he longed for the wider world. When he discovered Edvard Grieg’s mix of moody lyricism, myth, and folk culture, he was transfixed. He knew that he must become a composer.

Josef Holbrooke by E.O. Hoppé, 1913

Two British composers populate this month’s Discoveries from the Fleisher Collection, Saturday at 5:00 p.m. on WRTI. Josef Holbrooke and Alexander Mackenzie were well known and enjoyed success, but they often struggled to gain more than a foothold in performance circles. The reasons, however, were different.

On Discoveries from the Fleisher Collection this Saturday, February 4th, 5 to 6 pm on WRTI...the music of Charles Koechlin is not performed much; that much is certain. We may even call it, in this, the 150th anniversary of his birth, neglected. While there are logical reasons his legacy may have suffered, we also can’t fully understand why.

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