Classical Weekdays

Monday through Friday, 6 am to 6 pm

WRTI brings you the best recordings of works from the vast world of classical music every weekday from 6 am to 6 pm. Chamber music, symphonies, choral works, violin concertos, piano sonatas, and more...engagingly presented with insight and a smile by our knowledgeable hosts.

Playlists are below.

Join the Philadelphia Orchestra as they perform "A Night of Gershwin" at the Mann Center on June 26th. Celebrate the breadth of George Gershwin’s legacy with one of his most effervescent musical masterworks - Rhapsody in Blue; the first, and widely considered the finest American opera - Porgy and Bess; and the ultimate musical postcard to the folks back home - An American in Paris. Cristian Măcelaru, conductor. Terrence Wilson, piano. Norman Garrett, baritone. Taylor Johnson, soprano

On this month’s Chamber Orchestra of Philadelphia Applause! broadcast, it’s Schoenberg and Beethoven, with Conductor Laureate Ignat Solzhenitsyn on the podium, and at the keyboard, Sunday, June 21, 5  to 6 pm. 

The program features a performance of the Chamber Symphony No. 2, a work that took Arnold Schoenberg over 30 years to complete. By the time he was finished, the composer had gone through major stylistic changes, and his work, completed in 1939, is a look back for the composer. 

Only gods can live in endless bliss. Tannhäuser - minstrel and renegade - is lured into the erotic realm of the love goddess Venus. There he luxuriates in lust and a host of sinful pleasures. But finally it's all too much. He longs to return home, and does — to friends, rules of Christian conduct, and most of all, to Elisabeth, the warm but chaste young woman who loves him, despite the grief he's caused.

Composer Terry Riley turns 80 Wednesday. He's been called the father of minimalism for his groundbreaking 1964 work In C. But his influence has spread far beyond, sparking the imaginations of many artists, from cutting-edge electronic musicians to rock gods.

There’s some great classical music not often played at adult concert series. As WRTI’s Susan Lewis reports, The Philadelphia Orchestra’s principal guest conductor points to several under-performed masterworks that speak to everyone.

Radio script:

Music: Saint-Saens' Carnival of the Animals

Before Richard Strauss, before Richard Wagner, more than Hansel and Gretel, and even more than Mozart, the most German opera is, and always will be, Der Freischütz by Carl Maria von Weber.

The Freeshooter or The Marksman tells the story of Max, a man so in love with Agatha that he sells his soul—almost. To win her hand he must first win a shooting match, accepting an offer for magic bullets, bullets that cannot miss. They are forged in the deep forest by Samiel, the personification of Evil.

Music intersects with visual art in a new string quartet. As WRTI’s Susan Lewis reports, the work is a musical reaction to the unconventional way that paintings, furniture, metalwork and other objects are displayed at the Barnes Foundation.

Radio script:

Music: Carrot Revolution

Susan Lewis: The beginning of the string quartet called Carrot Revolution is quite percussive - with sounds you don’t think of as coming from violins, viola, and cello.

The Heiligenstadt Testament, a letter and directive written by Beethoven to his brothers in October, 1802, is an important missive, opened after the composer's death in 1827. It depicts his pain and struggle: the diminishing hope that his hearing will improve, a feeling of growing isolation, and his commitment to his art, that utlimately saves his life. By the time he wrote The Heiligenstadt Testament, the already-acclaimed composer had spent six years, starting at age 26 or 27, searching in vain for a “cure.”

Join us for a Philadelphia Orchestra in Concert broadcast that recaptures a performance that took place in November, 2011, when Yannick Nezet-Seguin was music director designate of The Philadelphia Orchestra, and the chemistry between the musicians and Yannick was already much in evidence.

All of the works on the program have an Italian theme, and represent a kind of celebration of Italian literature, culture, and landscape.

Even if you’re not familiar with the Broadway musical Carousel, you’re likely to have heard the uplifting message and melody of the song "You’ll Never Walk Alone."

Its roots in the Rodgers and Hammerstein musical extend far beyond the story of love and loss. 

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