Classical Weekdays

Monday through Friday, 6 am to 6 pm

WRTI brings you the best recordings of works from the vast world of classical music every weekday from 6 am to 6 pm. Chamber music, symphonies, choral works, violin concertos, piano sonatas, and more...engagingly presented with insight and a smile by our knowledgeable hosts.

Playlists are below.

He won the 2015 GRAMMY for "Best Classical Instrumental Solo" for his album, Play, and he collaborates with musicians in a wide variety of styles. WRTI’s Susan Lewis has more on classical guitar virtuoso Jason Vieaux.

Radio script:

Susan Lewis: Jason Vieaux’s Grammy-winning album, Play, showcases his solo work with music from Europe, Africa, Cuba, South America and Mexico – as well as his own arrangement of a Duke Ellington tune.

It’s no secret that a favorite piece of music can evoke profound pleasure and emotion. We've all experienced the “chills” response. WRTI’s Meridee Duddleston hears from a neuroscientist about the visceral and culturally conditioned effect of music on the brain.

For over three decades, Dr. Robert Zatorre of the Montreal Neurological Institute at McGill University has researched and broken down the complex set of interactions that occur when we experience sounds strung together to produce a full range of emotions - from the sublime to the soulfully sad.

Does Philadelphia need another orchestra? Well, it now has the 18-member Prometheus Chamber Orchestra, born out of sheer determination by recent Temple University graduates and finishing up its second season with a go-where-it's-needed philosophy. As the Philadelphia Inquirer's David Patrick Stearns reports, that includes periodic visits to a North Philadelphia soup kitchen.

American violinist Benjamin Beilman is making his mark in recitals and as soloist in orchestral programs, both at home and abroad. As WRTI’s Susan Lewis reports, the 25-year-old Curtis graduate enthusiastically embraces a wide range of music. Beilman performs Jennifer Higdon’s Violin Concerto with The Philadelphia Orchestra on WRTI, Sunday, May 10 at 1 pm.

Radio script:

Join us for another broadcast in our series of operas from the Academy of Vocal Arts.  AVA Opera Theater is currently presenting Charles Gounod’s Faust, in a series of performances throughout the Delaware Valley. Additional performances are scheduled for Centennial Hall at the Haverford School, Haverford on May 5th, and Central Bucks East High School, Doylestown on May 9th. Listen on WRTI this Sunday, May 3, from 3 to 6 pm.

In a recital hall at the University of Connecticut in Storrs, a group of musicians got together to play Jean-Baptiste Singelée's 1857 quartet for saxophones on some very old, very special instruments.

The acclaimed Philadelphia Youth Orchestra, under Music Director Louis Scaglione, returns to WRTI with a Mother's Day concert broadcast. The program, recorded at the Kimmel Center's Verizon Hall this past February, opens with a performance of Shotsakovich's lively Festive Overture. Then, Philadelphia Orchestra violinist and PYO alumnus Richard Amoroso plays the Beethoven Violin Concerto. The closing work on the program is a Tchaikovsky favorite, the Symphony No. 5 in E minor.  

Colin Bell

It’s always a special occasion when Philadelphia native Sarah Chang appears with The Philadelphia Orchestra. And she’ll be here on May 7, 8 and 9 for performances of Antonin Dvorak’s Violin Concerto, conducted by the Philadelphia Orchestra's Conductor-in-Residence Cristian Macelaru.

 

Eric Owens has come a long way from Philadelphia's Central High School. This once-fledging oboe player has evolved into a bass-baritone who has opera productions built around him. One is Opera Philadelphia's current Don Carlo, where he's singing the role of lonely, powerful King Philip, but took time to share trade secrets with The Philadelphia Inquirer's David Patrick Stearns.

Metropolitan Opera Chorus Master Donald Palumbo knows voices, and how to instruct singers to protect them.

Palumbo says that all singers have to monitor their voices while rehearsing during the day. The goal, he says, is to insure singers are at their "freshest" and "most solid" for the evening performance.

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