Different quartets evoke different textures on Now Is the Time, Saturday, November 22nd at 9 pm at wrti.org and WRTI-HD2. Geology dominates Paul Lansky's Textures. It's for two pianists and two percussionists, and movement titles use words like striations, substrates, granite, and round-wound (makes me think of bass guitar strings). Hammering keyboards and lyrical mallets comprise this unusual foursome.
Philip Glass composed a string quartet, his fourth, in memory of the artist Brian Buczak, who died in 1987, and was a friend. The lilting, pulsing music carries a smooth sadness as its predominant Glassian texture; the great quartet Kronos brings this to us to close the program.
from Carol Barnett: Z=30; Schumann’s Excellent Extension
Composers praise composers on Now Is the Time, Saturday, November 15th at 9 pm at wrti.org and WRTI-HD2. Randall Woolf re-forms, with a string quartet, the phrasings of another century in Franz Schubert, and for Zeitgeist's 30th Anniversary, Carol Barnett wrote Z=30; Schumann's Excellent Extension (with a tip of the hat to Terry Riley).
Stephen Hartke salutes Rochberg, Satie, Enrique Oswald, and Donald Crockett in selections from his Post-modern Homages for piano. For computerized sounds is Reginald Bain's Chaos Game (for Nancarrow), honoring the early, groundbreaking work of Conlon Nancarrow. In Serenata No. 1, Brian Banks imagines the legacies of Henry Sapoznik, Arturo Marquez, and two Harrisons, Lou and George. And cellist Maya Beiser rips into Little Wing of Jimi Hendrix, arranged by Evan Ziporyn.
We remember Stephen Paulus in this rebroadcast, from last spring, of Now Is the Time, Saturday, November 1st at 9 pm at wrti.org and WRTI-HD2. Paulus, who died on October 19th (see our remembrance here), wrote comfortably in every genre; we start the program with a short, sassy work played by pianist Lara Downes, his Prelude No. 3: Sprightly. Then guitarist David Starobin and composer William Bland go way back to their school days. Starobin loves playing Bland's music, and we'll hear six of a projected cycle of 48 Preludes.
We return to the piano for the 12 Preludes of Bernard Rands, covering a wide landscape of emotional and tonal range. Included are two movements in memoriam of composer colleagues of Rands, Luciano Berio and Donald Martino.
Let's have suites before Halloween on Now Is the Time, Saturday, October 25th at 9 pm at wrti.org and WRTI-HD2. A Prelude, Sarabande, Burlesca, and Gigue make up the Partita (just another name for suite) for piano by Anthony Iannaccone. Guitarist David Starobin loves playing the music of Paul Lansky for, besides being a wonderful composer, Lansky also plays the guitar and knows the instrument very well. The recipe for his Semi-Suite includes Putative Prelude, Aimless Air, Crooked Courante, Shameless Sarabande, Awkward Allemande, and Partly Pavane.
Philadelphia composer Harold Boatrite's Lyric Suite for Piano is from his piano and harpsichord CD of a few years back, Sonatas & Suites. Andy Teirstein boils down a work for multiple strings, written for an outdoor procession, to a string quartet, for the final work on our program, simply, Suite.
It's one voice among all on Now Is the Time, Saturday, October 11th at 9 pm at wrti.org and WRTI-HD2. Two concertos—the ultimate one vs. many format—bookend a lone flute on this week's program. Meditation and Caprice are the two movements of the engaging, mesmerizing Violin Concerto by Kevin Puts.
Robert Baksa's Soliloquy from 1997, and from a CD of his flute music, is subtitled "Krishna's Song," as the Hindu deity is often pictured playing the flute. The energetic and moody Clarinet Concerto of Paul Moravec features soloist David Krakauer. Moravec wrote this while he was in residence at the Institute for Advanced Studies in Princeton.
Classical covers pop on Now Is the Time, Saturday, October 4th at 9 pm at wrti.org and WRTI-HD2. Cellist Maya Beiser's new CD Uncovered ranges over the landscape of hits with aggressive yet nuanced playing. The arrangements are by composer Evan Ziporyn; Led Zeppelin's Kashmir and Nirvana's Lithium get a workout here. Michael Daugherty brings a high-powered wind band to the house for Motown Metal.
The string quartet has its say in two works. Paul Schoenfeld imagined, in Four Music Videos, what MTV was all about, having admitted he'd never watched it, and creates magic. Jeremy Cohen's arrangement of Duke Ellington's The Mooche for his Quartet San Francisco makes you feel that the Duke wrote this just for them. Those slinky chords are so etched in our minds, all composers must wish they'd thought of them first.
Say hello to fall on Now Is the Time, Saturday, September 27th at 9 pm at wrti.org and WRTI-HD2. Jonathan Miller conducts Chicago a cappella in his setting of The Fall, a little poem about a boy, holding leaves over his head, pretending to be a tree. When he drops them, his parents say, "Look, it is fall." Composer/harpist Anne LeBaron joins with shakuhachi and koto in her trio Into Something Rich and Strange, and Ursula Oppens plays a piece that John Corigliano made up out of improvisations, Winging It.
Chanticleer sings the Buddhist chant–inspired Voices of Autumn by Jackson Hill, and from the CD As Falling Leaves comes Arabesques of Adolphus Hailstork, for flute and mallet percussion. Finally, the change in seasons reminds us of Keeping Time, which just happens to be the title of a work from Dan Becker's new CD, Fade.
Two versions of the same piece encircle Now Is the Time, Saturday, September 20th at 9 pm at wrti.org and WRTI-HD2. Mathew Rosenblum wrote Möbius Loop for saxophone quartet and for saxophone quartet with orchestra—we'll hear both versions, one at the beginning of the show, and one at the end. The Raschèr Saxophone Quartet leads the way, with Gil Rose's Boston Modern Orchestra Project.
Electro-acoustical music of Rand Steiger is 13 Loops, with digital processing of some of the sounds accompanying the performers as they play. Paring all the way down to a single flute, however, is Whirlwinds Dancing by R. Carlos Nakai. Lisamarie McGrath solos on the Native American flute; the characteristic chiff at the beginning of the notes charm us into a circling reverie.
Masks are worn and removed on Now Is the Time, Saturday, September 13th at 9 pm at wrti.org and WRTI-HD2. The flutist and composer Katherine Hoover has greatly expanded the literature for her instrument with genial yet focused music. Masks, for flute and piano, includes the movements Haida Indian mask, Huichol Jaguar mask, Afro-American Death mask, and Clown mask. It succeeds in being charming and self-effacing at the same time.
The mask worn by murderer Joseph De Rocher slowly slips as Sister Helen Prejean visits, counsels, and shows love to him in Dead Man Walking, Jake Heggie's opera from just a few years ago. We have time for excerpts from both acts, including the riveting ending, with his confession and the echo of a gospel song. Joyce DiDonato, Philip Cutlip, and Frederica von Stade head the cast.