We dream our lives and live our dreams on Now Is the Time, Saturday, April 19th at 9 pm at wrti.org and WRTI-HD2. Bright Sheng's romantic orchestral work China Dreams includes movements called The Stream Flows and The Three Gorges of the Long River. The tragedy of U.S. duplicity before and after the Battle of the Little Bighorn is the subject of We Need to Dream All This Again. Jerome Kitzke writes, "let's dance, and call it praying," as he honors the Native American building of a new life by dreaming that life.
Clarinet and four-hand piano unfold through digital delay in the evocative Passage Through a Dream by Phillip Schroeder, and Zeitgeist closes out the show with the humorous and quirky Getting Your Z's (Or Not) by Janika Vandervelde.
We arrive at the corner of Jazz and Classical on Now Is the Time, Saturday, April 12th at 9 pm at wrti.org and WRTI-HD2. Chicago a cappella scats with Pleasure the music of Malcolm Dalglish, and solo piano tries out David Baker's Jazz Dance Suite as well as The Blue Hula by Tobias Picker.
John Musto's Divertimento for chamber ensemble has jazz and popular music overtones, but there's no mistaking the straight-ahead jazz worldview in three works by Philadelphia's Adam Berenson (even if he turns a corner here and there), from his brand-new 2-CD release Lumen. He's the pianist, along with bass and drums, in his Late 20th Century Stomp, Emotional Idiot, and Respectable People.
So done with March and feeling like a new start, we've got all preludes on Now Is the Time, Saturday, April 5th at 9 pm at wrti.org and WRTI-HD2. Stephen Paulus writes comfortably in every genre; we start the program with a short, sassy work played by pianist Lara Downes, his Prelude No. 3: Sprightly. Guitarist David Starobin and composer William Bland go way back to their school days. Starobin loves playing Bland's music, and we'll hear six of a projected cycle of 48 Preludes.
Then we return to the piano for the 12 Preludes of Bernard Rands, covering a wide landscape of emotional and tonal range. Included are two movements in memoriam of composer colleagues of Rands, Luciano Berio and Donald Martino.
Let the larks play! They sing us into spring on Now Is the Time, Saturday, March 29th at 9 pm at wrti.org and WRTI-HD2. Jennifer Higdon considered "exaltation" not only to be a wonderful collective noun but also a pretty good title, so she wrote the romantic and soaring An Exaltation of Larks for string quartet. We get to hear, appropriately, the Lark Quartet in this recording.
Daniel Goode loves birds, too, and weaves examples of different thrushes into one mega-birdsong for an unusual orchestra in Tuba Thrush. Benjamin Beirs describes circles, whorls, and storms in Fluidity. It's for his instrument, the guitar, and is inspired by the paintings of Sunny Gibbons, who is his sister. Book-ending the program are two works—one for marimba, one for vibraphone—by Alvin Singleton. He titles them Argoru, which is the Ghanaian word meaning "to play."
It is spring, finally, we hope, we really do, on Now Is the Time, Saturday, March 22nd at 9 pm at wrti.org and WRTI-HD2. It engenders all sorts of good thoughts as we consider Circling Permutations, a flute and double bass improvisation by Robert Ackerman, and a concert rag for piano, Spring Beauties, by Brian Dykstra. Always elegant, the music of Paul Chihara seems appropriate for our turn to the warmth; we’ll hear his String Trio.
Avner Dorman brings along his Azerbaijani Dance for piano, and if you feel like a play on words, David Gunn’s always good for that, so a Missing Inn March could fit the bill this month. New music for old instruments symbolize a change of seasons; Will Ayton’s Songs of the British Isles is for the consort of viols, Parthenia. And in a similar vein, Dick Hensold breaks out his Northumbrian pipes for First Leaves of Spring.
from ensemble, et al.: No Matter How Fast You Run Today, you will Never Catch up to Tomorrow
Julius Caesar had better watch his back on Now Is the Time, Saturday, March 15th at 9 pm at wrti.org and WRTI-HD2. Brutus doesn't show up, but look out for the Silver Dagger of Stacy Garrop, an Appalachian somebody-done-somebody-wrong song. Eric Moe channels comic-book philosophy of "they said it couldn't be done" in Dead Elf Tugboat, and Andy Teirstein throws a bright light on fate with the narrated drama The Shooting of Dan McGrew.
Michael Daugherty's Dead Elvis romps through one corner of pop culture, and Dan Visconti's Lawless Airs through another, with a violin accompanied by a harp sounding like a broken guitar played by a cowboy. The percussion quartet ensemble, et al. cautions with No Matter How Fast You Run Today, you will Never Catch up to Tomorrow, Joshua Rosenblum offers a tonic to the Ides with Forward March, and Mark Zuckerman clears the air of fate with the canon, Grant Us Peace.
We study etudes, "studies," on Now Is the Time, Saturday, March 8th at 9 pm at wrti.org and WRTI-HD2. No idea what Defensive Chili means, but this second etude for piano by Marc Mellits really sets the table. John McDonald comes in with two pieces for violin and piano, the poetic studies he calls Lily Events, and Lyrical Study.
Tomas Svoboda plays his own powerful music for piano, the Nine Etudes in Fugue Style, Vol. 2, and then we include an etude for an instrument not nearly as ubiquitous, the bassoon. John Steinmetz's Etude No. 5 is a lovely fantasy on the cowboy lament "Streets of Laredo," how about that?
All kinds of strings are circling on Now Is the Time, Saturday, March 1st at 9 pm Eastern on the all-classical stream at wrti.org and WRTI-HD2. The Minneapolis Guitar Quartet starts off with Daniel Bernard Roumain's homage to places he's lived and loved. Ghetto Strings visits Harlem, Liberty City in South Florida, the Motor City, and the land of his parents, Haiti. Ethel is the string quartet playing String Circle 1 by Kenji Bunch, who, since he's also an accomplished violist, knows his way around strings.
But we go to Phillip Rhodes for a solo viola dance suite, and inspired by Bach. It's the Partita, from 1977. Full circle is how we'll finish the show, with guitars, but this time two of them, the wonderful Anderson-Fader Duo. From their CD Le Cirque is Fantasy on 12 Strings by Martin Rokeach.
We hope it's not too late for Valentines on Now Is the Time, Saturday, February 15th at 9 pm Eastern on the all-classical stream at wrti.org and WRTI-HD2. We start with soprano and guitar, and with an orphan's dream of an angel in Romance by William Ortiz. Irving Berlin's "They Say It's Wonderful" is the inspiration behind Love Twitters by Augusta Read Thomas, for piano, but Morten Lauridsen asks, "Against whom have you formed these thorns?" in Contre qui, rose. A lover asks for a handkerchief (she'll return it when no one's looking), in a four-hand piano setting of the Italian folk song Amor dammi quel fazzolettino by Andrew Violette.
David Bennett Thomas works with some of the greatest love poetry in his Juliet: Five Songs from Shakespeare, and we hear Eric Whitacre's first published choral work, Go, lovely Rose. Finally, Allen Shawn sends us into the evening with a last-minute Valentine's Day present for his wife, titled simply, Valentine.