Classical covers pop on Now Is the Time, Saturday, October 4th at 9 pm at wrti.org and WRTI-HD2. Cellist Maya Beiser's new CD Uncovered ranges over the landscape of hits with aggressive yet nuanced playing. The arrangements are by composer Evan Ziporyn; Led Zeppelin's Kashmir and Nirvana's Lithium get a workout here. Michael Daugherty brings a high-powered wind band to the house for Motown Metal.
The string quartet has its say in two works. Paul Schoenfeld imagined, in Four Music Videos, what MTV was all about, having admitted he'd never watched it, and creates magic. Jeremy Cohen's arrangement of Duke Ellington's The Mooche for his Quartet San Francisco makes you feel that the Duke wrote this just for them. Those slinky chords are so etched in our minds, all composers must wish they'd thought of them first.
Say hello to fall on Now Is the Time, Saturday, September 27th at 9 pm at wrti.org and WRTI-HD2. Jonathan Miller conducts Chicago a cappella in his setting of The Fall, a little poem about a boy, holding leaves over his head, pretending to be a tree. When he drops them, his parents say, "Look, it is fall." Composer/harpist Anne LeBaron joins with shakuhachi and koto in her trio Into Something Rich and Strange, and Ursula Oppens plays a piece that John Corigliano made up out of improvisations, Winging It.
Chanticleer sings the Buddhist chant–inspired Voices of Autumn by Jackson Hill, and from the CD As Falling Leaves comes Arabesques of Adolphus Hailstork, for flute and mallet percussion. Finally, the change in seasons reminds us of Keeping Time, which just happens to be the title of a work from Dan Becker's new CD, Fade.
Two versions of the same piece encircle Now Is the Time, Saturday, September 20th at 9 pm at wrti.org and WRTI-HD2. Mathew Rosenblum wrote Möbius Loop for saxophone quartet and for saxophone quartet with orchestra—we'll hear both versions, one at the beginning of the show, and one at the end. The Raschèr Saxophone Quartet leads the way, with Gil Rose's Boston Modern Orchestra Project.
Electro-acoustical music of Rand Steiger is 13 Loops, with digital processing of some of the sounds accompanying the performers as they play. Paring all the way down to a single flute, however, is Whirlwinds Dancing by R. Carlos Nakai. Lisamarie McGrath solos on the Native American flute; the characteristic chiff at the beginning of the notes charm us into a circling reverie.
Masks are worn and removed on Now Is the Time, Saturday, September 13th at 9 pm at wrti.org and WRTI-HD2. The flutist and composer Katherine Hoover has greatly expanded the literature for her instrument with genial yet focused music. Masks, for flute and piano, includes the movements Haida Indian mask, Huichol Jaguar mask, Afro-American Death mask, and Clown mask. It succeeds in being charming and self-effacing at the same time.
The mask worn by murderer Joseph De Rocher slowly slips as Sister Helen Prejean visits, counsels, and shows love to him in Dead Man Walking, Jake Heggie's opera from just a few years ago. We have time for excerpts from both acts, including the riveting ending, with his confession and the echo of a gospel song. Joyce DiDonato, Philip Cutlip, and Frederica von Stade head the cast.
All kinds of strings are circling on Now Is the Time, Saturday, August 23rd at 9 pm at wrti.org and WRTI-HD2. The Minneapolis Guitar Quartet starts off with Daniel Bernard Roumain's homage to places he's lived and loved. Ghetto Strings visits Harlem, Liberty City in South Florida, the Motor City, and the land of his parents, Haiti. Ethel is the string quartet playing String Circle 1 by Kenji Bunch, who, since he's also an accomplished violist, knows his way around strings.
But we go to Phillip Rhodes for a solo viola dance suite, and inspired by Bach. It's the Partita, from 1977. Full circle is how we'll finish the show, with guitars, but this time two of them, the wonderful Anderson-Fader Duo. From their CD Le Cirque is Fantasy on 12 Strings by Martin Rokeach.
WRTI's Mark Pinto, host of the Classical New Releases show, fills you in on the latest and the greatest classical music CDsevery Saturday at 5 pm.Here are six recordings to pay special attention to...
Milos, London Philharmonic Orchestra, Yannick Nezet-Seguin, conductor: Aranjuez. The young guitarist Milos from Montenegro continues to win new fans wherever he goes. Now with this recording he brings his trademark passion and intimacy to bear on the two most popular works for guitar and orchestra ever composed. In the tender moments he caresses the strings, and through some close miking, every caress can be felt. Having Yannick on hand to guide the London Philharmonic and let Milos "do his thing" should help the guitarist gain some new admirers in Philadelphia.
Ailyn Perez & Stephen Costello: Love Duets. This is a long-awaited debut disc from Philly’s "first couple" of opera (they met while students at the Academy of Vocal Arts and still perform together in the area), and it is as aurally delightful as they are photogenic. The husband-and-wife team makes convincing heat on these love duets from popular operas and classic Broadway musicals. A keepsake for Philadelphia opera fans.
Anne-Sophie Mutter and Lambert Orkis: The Silver Album. Violinist Anne-Sophie Mutter and pianist and Temple University professor Lambert Orkis celebrate 25 years as a performing team with this two-disc release. At first glance they may seem an unlikely pair. However, both share a keen interest in contemporary music and in other ways have found each other to be musical soulmates. "It quickly became clear how perfectly we breathe and phrase together," says Mutter.
Superb studio and live performances from their last 25 years of music-making, of violin/piano sonatas by Beethoven, Brahms, Mozart, and Fauré, are featured here alongside new recordings of Massenet and Ravel. Plus, there are two world-premiere recordings: a dazzling and fiendishly difficult solo violin work by Krzysztof Penderecki, and André Previn's touching and lighthearted duo sonata. This is a wonderful commemorative of an enduring artistic partnership.
Yundi: Emporer/Fantasy, Beethoven and Schumann. Chinese pianist Yundi (the artist formerly known as Yundi Li) has developed and matured significantly in the years since he became the youngest pianist to win the International Chopin Competition in 2000 at the age of 18. His formidable technique is on display here in a Beethoven "Emperor" Concerto performance so assured it may strike some as a tad on the cool side. But his real achievement is the sheer poetry and architectural mastery he brings to Schumann’s masterpiece, which can come off as rather unruly and unwieldy in the wrong hands. With awe, one wonders what Yundi's next musical conquest might be.
They come in twos on Now Is the Time, Saturday, August 9th at 9 pm at wrti.org and WRTI-HD2. Joan Tower responded to Copland's Fanfare for the Common Man with numerous Fanfares for the Uncommon Woman; we'll hear No. 2. Eric McIntyre doubles down on impressionism with Secondary Impressions for saxophone and piano, and Kronos performs the Quartet No. 2 of Philip Glass.
William Hawley's Two Motets on Roman poets, sung by Volti, separates the last two instrumental works, the Four Fanfares for Two Trumpets by Andrew Rindfleisch and John Novacek's Three Rags for Two Pianos.
New music hears old tunes on Now Is the Time, Saturday, July 26th at 9 pm at wrti.org and WRTI-HD2. George Crumb has a way—like no one else—of investing the simplest gesture with mystery and grandeur. He fills his seventh American Song Book, Voices from the Heartland, with these touches of wonder assembled in these hymns, spirituals, folk songs, and American Indian chants. Soprano Ann Crumb and baritone Patrick Mason are accompanied by Orchestra 2001, conducted by James Freeman.
Beginning the show, there's just time enough to hear a movement from David Amram's Violin Concerto. His Celtic Rondo breathes the air of long ago from another place, or maybe he hears the spirits of ancestors from any place. Charles Castleman is the soloist.
Islands and dances and flutes seem to float on Now Is the Time, Saturday, July 19th at 9 pm at wrti.org and WRTI-HD2. Haiku of Basho inspired Edie Hill's This Floating World for solo flute; Elena Ruehr's The Law of Floating Objects is for one flutist multiplied many times. An excerpt from A Floating Island is Matthew Greenbaum's chamber opera on an episode from Gulliver's Travels by Jonathan Swift, where some are so lost in thought they don't see what's right in front of them.
The Habanera makes us think of Cuba and islands (okay, it's a stretch), and we find one in 5 Pages from John's Book of Alleged Dances by John Adams. Robert Ackerman improvises Havana Special, clarinet and bass, and there's just enough time for an Ackerman encore, Scena.
Celebrate the solstice on Now Is the Time, Saturday, June 21st at 9 pm at wrti.org and WRTI-HD2. Into Light is Marilyn Shrude's orchestral paean to youth and possibility, and Lewis Spratlan outlines an entire day of activity—both fun and contemplative—ending with a starry night, in A Summer's Day. Looking at the evening sky reflected in Italy's Lake Como, Laura Elise Schwendinger asks C’è la Luna Questa Sera? ("is there a moon tonight?").
As Monet painted the same scene in different light (including his Rouen Cathedral series from 1892-1893), Jennifer Higdon used materials from her blue cathedral in different ways in Light Refracted for clarinet, string trio, and piano. One of Brian Dykstra's piano rags is the deliciously floating Sweet Daydreams, and in light moving, David Lang provides an encore for Hilary Hahn.