From the perspective of U.S. audiences, the British pianist Imogen Cooper was a late bloomer. Though this student of Alfred Brendell had been working steadily in the UK for decades, she was in her 50s before America became aware of this most eloquent interpreter of the classical repertoire.
This week, on January 10th, 11th, and 12th, she performs Mozart’s piano concerto No. 24 with The Philadelphia Orchestra. And, as WRTI’s Jim Cotter reports, she’ll lead this most rebellious of works - by that most rebellious of composers - with an ensemble that knows exactly how it should be.