Tom Huizenga

One hundred years ago, a musical marvel was born. She grew up in a tiny hamlet in the North of England, but made a huge impression on the world of classical music.

"Unique" is an overused word, yet it truly fits the sound of Kathleen Ferrier's voice. If you've never heard it, prepare to be amazed — stop reading now and click on the link below.

After 11 days and more than 500 submissions, we proudly unveil a winner (and several honorable mentions) in our very first classical cartoon caption contest. Congratulations to Gregory Curnow from central Massachusetts, who remembered that hippos not only excel at the violin, but also have a habit of snorting.

"I just tried to put myself in the shoes of a judge in one of those blind symphony orchestra auditions," Curnow said when asked how he came up with his winning caption. We'll send him a new NPR Music tote bag and coffee mug for his efforts.

Although it always seems fashionable to forecast the downfall of classical music, enterprising musicians both young and not so young continue to make deeply satisfying recordings. For this visit to weekends on All Things Considered, I was delighted to uncover the little known (at least in this country) Jorge Luis Prats, a terrifically talented Cuban pianist whose once uncertain career appears to be resurging — at 55, he has signed a handsome record deal. Then there's The Knights, a young chamber orchestra with a postmodern take on Schubert.

New York-based composer and Peabody Institute faculty member Kevin Puts has won the Pulitizer Prize for music with Silent Night, his first opera. The work received its world premiere in November in at Minnesota Opera in St. Paul.

Pulitzer officials described Silent Night as "a stirring opera that recounts the true story of a spontaneous cease-fire among Scottish, French and Germans during World War I, displaying versatility of style and cutting straight to the heart."

(All this week, we're featuring concerts from the ongoing Savannah Music Festival. Hear yesterday's concert.)

What's the saying — the more things change, the more they stay the same? It seems that's how it goes in the ways we make music. MIT futurologist Tod Machover rethinks traditional instruments, coming up with new things like the hyperpiano; Pianist Michael Chertock gives it a go in an explosive excerpt below.

  • New York's Metropolitan Opera is gearing up to launch Wagner's complete Ring cycle, but just how "revolutionary" is the $16 million, 45-ton production? New York Times' Anthony Tommasini talks with Met GM Peter Gelb about the embattled Robert Le Page production, a conversation Parterre Box views as "damage control" on Gelb's part.

Maurice André, who elevated the status of the solo trumpet, has died at age 78. Celebrated for his clarion tones, especially from his piccolo trumpet, André touched off a resurgence of interest in the trumpet and music from the Baroque era.

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