Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music.

He is a regular contributor of stories about classical music to NPR's news programs and co-hosts NPR's classical music blog Deceptive Cadence.

Joining NPR in 1999, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music show Performance Today and for programs SymphonyCast and World of Opera.

He's produced live concerts, including a radio broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center and NPR's first classical music webcast from the Manhattan club (Le) Poisson Rouge, featuring the acclaimed Emerson String Quartet. He's also asked musicians to play in unlikely venues, such as cellist Alisa Weilerstein playing Bach at the Baltimore Aquarium. He's written and produced radio specials, like A Choral Christmas With Stile Antico, broadcast on stations around the country.

Huizenga's radio career began at the University of Michigan, where he hosted opera, jazz, free-form, and experimental radio programs at Ann Arbor's WCBN. As a student in the Ethnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, Md. and in his spare time writes about music for the Washington Post and overloads on concerts and movies.

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WRTI Picks from NPR Music
5:12 pm
Sun April 19, 2015

The Hypnotic Groove Of Xenakis

Percussionist Kuniko's new album is devoted to music by Iannis Xenakis.
Linn Records

Originally published on Tue April 14, 2015 8:36 am

Percussionists back in Beethoven's day could be forgiven for feeling a little bored, waiting for the infrequent roll of the kettledrum or the occasional cymbal crash. But as orchestras grew bigger, percussionists got busier — even more so after World War I, when a new generation of composers began writing specifically for percussion.

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WRTI Picks from NPR Music
4:38 pm
Fri April 3, 2015

Multifaceted Music Critic Andrew Porter Dies At 86

Critic and opera translator Andrew Porter directs singer Nikki Einfeld during a rehearsal of a Canadian Opera Company production of Mozart's Magic Flute in Toronto in 2005.
Tannis Toohey Toronto Star

Originally published on Fri April 3, 2015 4:43 pm

Andrew Porter, a renowned music critic and scholar and translator of opera, died early today in London's Chelsea and Westminster Hospital. His twin sister, Sheila Porter, told NPR his death was the result of complications from pneumonia. He was 86.

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Tiny Desk Concerts
10:45 am
Sat March 28, 2015

Anonymous 4 With Bruce Molsky: Tiny Desk Concert

Tiny Desk Concert with Anonymous 4 on March 4.
Emily Jan NPR

Originally published on Mon March 30, 2015 5:18 pm

It was December 1990 — more than a year before the first Anonymous 4 album was released — when NPR invited four slightly shy women into our studio to sing 13th-century Christmas music. Back then, we already knew the manifold beauty of their sound, its purity and accuracy, was something unique.

Now, some 25 years and 21 albums later, the a cappella vocal quartet is calling it quits at the end of 2015. But not before one final visit to NPR.

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WRTI Picks from NPR Music
12:49 pm
Thu March 26, 2015

The Sensuous Radical: Pierre Boulez at 90

French composer and conductor Pierre Boulez, photographed in Salzburg in 2011.
Martin Schalk Getty Images

Originally published on Thu March 26, 2015 8:01 pm

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Deceptive Cadence
8:42 am
Thu March 19, 2015

The Tallis Scholars' Luminous Way With Arvo Pärt

The Tallis Scholars sing the music of Estonian composer Arvo Pärt.
Eric Richmond

Originally published on Thu April 9, 2015 3:39 pm

Arvo Pärt was saved by the bell. The Estonian composer, who turns 80 in September, hit a creative roadblock in 1968. After a hiatus of eight years he returned with a new sound inspired by the simple triad (a stack of three notes, an essential building block of Western music) and by bells. He called his new style tintinnabuli (from the Latin for bells).

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Deceptive Cadence
8:03 am
Thu March 5, 2015

The Bachelors Of Opera

Latvian bass-baritone Egils Silins portrays The Flying Dutchman, one of opera's most disturbing bachelors, in Orange, France in 2013.
Boris Horvat AFP/Getty Images

The Bachelor, the reality TV show poised to close out another nail-biting season (which young woman will Chris Soules choose Monday?), has nothing on opera. Over the past 400 years, composers have placed onstage any number of hot-blooded Romeos, sensible gentlemen and conniving psychopaths all looking for the perfect mate.

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Deceptive Cadence
8:27 am
Wed February 25, 2015

Bryan Hymel's Hefty High Cs

Tenor Bryan Hymel sings shining high Cs in the Rossini aria "Asile héréditaire."
Dario Acosta Warner Classics

Originally published on Thu April 9, 2015 4:33 pm

Pavarotti, roll over. There's a new king of the high Cs. His name is Bryan Hymel and he pops off no fewer than 10 of them in "Asile héréditaire," the Rossini aria that opens his new album Héroïque, released Tuesday.

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Deceptive Cadence
8:03 am
Tue February 17, 2015

Anderson & Roe's Personalized Bach

The new album by piano duo Anderson and Roe is devoted to J.S. Bach.
Ken Schles

Originally published on Thu April 9, 2015 4:36 pm

Music lexicographer Theodore Baker, in his biographical dictionary of musicians, labeled J.S. Bach as the "supreme arbiter and lawgiver of music." And while Bach may have blanched had he read such a description, there is absolute power to much of his music.

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Deceptive Cadence
8:03 am
Tue February 10, 2015

The Knights, Steve Reich: 'Duet' For Two Violins And Strings

The Knights play a mix of Reich, Bach, Stravinsky and a couple of their own compositions on their new album.
The Knights

Originally published on Thu April 9, 2015 4:45 pm

Even trailblazing composers like Steve Reich sometimes look to the distant past for inspiration. His 1993 Duet for two violins and strings is music in which minimalism reaches back to its ancient roots. These six minutes of mesmerizing sunshine recall both the rigorous counterpoint of J.S.

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