Susan Lewis

Arts & Culture Reporter

Susan is an arts and culture reporter for WRTI. She contributes Arts Desk features, and weekly intermission interviews for The Philadelphia Orchestra in Concert broadcast series on WRTI with host Gregg Whiteside.

She is also a freelance essayist, journalist, and speechwriter who has written about Philadelphia for Insight Guides and Greater Philadelphia Tourism Marketing Corporation's Culture Files.  A former columnist for Philadelphia Magazine, she is the author of Reinventing Ourselves after Motherhood and a book of essays. Her work has appeared in The Philadelphia Inquirer, Child Magazine, Parents Magazine, Reader's Digest and Ladies' Home Journal (Parents Digest).

Born and raised in Philadelphia, Susan is also a lawyer, with a B.A. in Philosophy from Trinity College, Connecticut, and a J.D. from New York University School of Law. She has practiced law in New York City and taught entertainment law at Rutgers Law School in Camden.

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History has painted composer Anton Bruckner as a simple man who gave the world complex and innovative symphonies. WRTI’s Susan Lewis has more on Bruckner’s 8th, which premiered in December of 1892.

J.S. Bach’s unconventional Christmas Oratorio (Weihnachts-Oratorium), composed in 1733 and 1734, is less known than his other major works, and it showcases the composer's innovation and resourcefulness. WRTI's Susan Lewis reports.

Handel’s Messiah, originally composed for performance during the springtime Christian observance of Lent, has become a contemporary staple of Christmas celebrations in modern America. WRTI’s Susan Lewis has more on this 18th-century oratorio.

A 1962 record of holiday music by The Philadelphia Orchestra and the Temple University Concert choir "went gold" in 1963 and continues to be sold today. WRTI’s Susan Lewis explores its ongoing appeal with violinist Herb Light, who played on the original recording of The Glorious Sound of Christmas.

John Devlin

Born in 1961 in New Orleans, jazz and classical trumpet player, and composer, Wynton Marsalis grew up playing in churches, jazz bands, and orchestras. As WRTI’s Susan Lewis reports, his 2015 violin concerto reflects the varied musical landscape of America.

The second movement of Beethoven’s Symphony No. 7—the Allegretto—has captivated listeners since the symphony’s 1813 premiere, when it was so popular that the orchestra used it as an encore. WRTI’s Susan Lewis has more on why this particular movement continues to engages us.

The four DePue brothers (Wallace, Jason, Zack, and Alex) were raised on classical music, barbershop, and Bluegrass. As WRTI’s Susan Lewis reports, today they’re juggling work at conventional ensembles—with a family-based band specializing in a blend of classical and American grass roots music.

Tchaikovsky wrote his violin concerto in 1878, but his friends and family were critical and he didn’t find a violinist to premiere it for over three years. Now, as WRTI’s Susan Lewis reports, the concerto is one of the most frequently performed concertos in the repertoire.

While Samuel Barber is best known for his moving Adagio for Strings, first performed in a radio broadcast in November of 1938, he wrote a lot of other music that continues to inspire musicians and listeners to this day. WRTI’s Susan Lewis talked with filmmaker Paul Moon about his documentary, Samuel Barber: Absolute Beauty, which had its Philadelphia premiere in July, 2017 on WHYY-TV.   

Jennifer Higdon’s concerto, On a Wire, was inspired by images of birds, as well as the innovative versatility of the musicians of Eighth Blackbird, the contemporary soloist ensemble. WRTI’s Susan Lewis has more.

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