Susan Lewis

Arts & Culture Reporter

Susan is an arts and culture reporter for WRTI. She contributes Arts Desk features, and weekly intermission interviews for The Philadelphia Orchestra in Concert broadcast series on WRTI with host Gregg Whiteside.

She is also a freelance essayist, journalist, and speechwriter who has written about Philadelphia for Insight Guides and Greater Philadelphia Tourism Marketing Corporation's Culture Files.  A former columnist for Philadelphia Magazine, she is the author of Reinventing Ourselves after Motherhood and a book of essays. Her work has appeared in The Philadelphia Inquirer, Child Magazine, Parents Magazine, Reader's Digest and Ladies' Home Journal (Parents Digest).

Born and raised in Philadelphia, Susan is also a lawyer, with a B.A. in Philosophy from Trinity College, Connecticut, and a J.D. from New York University School of Law. She has practiced law in New York City and taught entertainment law at Rutgers Law School in Camden.

Ways to Connect

The Jazz Sanctuary is an organization that takes jazz into houses of worship and other nontraditional venues. As WRTI’s Susan Lewis reports, founder Alan Segal says jazz and the spiritual community drove his recovery from a life-threatening crisis.

Twentieth-century Austrian composer Alban Berg dedicated his Violin Concerto to the memory of the 18-year-old daughter of a friend. As WRTI’s Susan Lewis reports, the work evokes emotion not typically associated with the 12-tone style.


 

Known for her distinctive singing, which she did most often from the keyboard, Shirley Horn studied classical music before turning to jazz in the 1950s.  In the early '60s she caught the attention of Miles  Davis, and then her career started to take off.

He won the 2015 Grammy award for "Best Classical Instrumental Solo" for his album, Play, and he collaborates with musicians in a wide variety of styles. WRTI’s Susan Lewis has more on classical guitar virtuoso Jason Vieaux.


In 1956, a groundbreaking performance at the Newport Jazz Festival changed the course of Duke Ellington's path in jazz. WRTI’s Susan Lewis has more. 


Credit: William P. Gottlieb

A romantic ballad launched one career, revived another, and became a beloved standard for generations of musicians. WRTI’s Susan Lewis has more on Thelonious Monk's " ‘Round Midnight." The work was recorded first in 1944—but not by Monk.


Johannes Brahms' last work was composed for an instrument he’d not written for in decades, in a style that harkened back to J.S. Bach. WRTI’s Susan Lewis has more on Brahms' chorale preludes for organ.

Rachmaninoff's Piano Concerto No. 4 is not very well known in America. But it has a strong connection with the Philadelphia Orchestra, which continues to mine the richness of the work. WRTI’s Susan Lewis has more.


A leading contemporary conductor explores both music, and—in his free time—fragrances.  As WRTI’s Susan Lewis reports, Fabio Luisi sees many connections between music and perfume.


The true story of a 19th-century swindler in New York City inspired not only an opera, but also a concerto. WRTI’s Susan Lewis has more on Bramwell Tovey’s Songs of the Paradise Saloon for trumpet and orchestra.

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