Classical pianist Simone Dinnerstein is just back from Havana, where she performed with Cuba's National Youth Orchestra. She is also working with young people back in her hometown, New York. One of her goals? To introduce students to the composer she's best known for performing — Johann Sebastian Bach. She's taking digital pianos into public schools in a program she calls "Bach-packing."
Even those who didn't live through Nina Simone's heyday can recognize her songs, or at least her voice. Born Eunice Waymon, the passionate performer and activist died in 2003, and today her recordings still loom larger than the rest of her story.
Jazz is all about great collaborations, and in honor of Father's Day this weekend, composer and bassist Christian McBride, host of NPR's Jazz Night In Americaand a regular All Things Considered guest, stopped by for a conversation about fathers and sons.
Originally published on Sun June 14, 2015 11:02 am
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The last time Charlie Hunter came to the NPR studios, he brought an eight-string guitar with fanned-out frets that included bass strings. He's now pared down to just seven strings, but his guitar still produces a big, fat sound. Let The Bells Ring On is Hunter's new album, and it features two jazz innovators: trombonist Curtis Fowlkes and drummer Bobby Previte. It's a record that goes every which way, but in places is rooted in gospel and the music on which he grew up.
"The monastic life is very plain and ordinary," says Father Cassian Folsom, the founder and prior of the Monks of Norcia, ensconced in the St. Benedict Monastery in central Italy. "You get up, and you pray, and you do your work and go to bed and then the next day you do the same thing."
A large portion of the monks' daily routine is singing. "We chant the Divine Office and the Mass every day," Folsom tells NPR's Scott Simon. "And if you put all of those moments together it takes about five hours a day. Three hundred sixty-five days a year."