NPR Staff

John Corigliano is one of America's most acclaimed composers. He's won a Pulitzer, an Oscar and five Grammys, and he's still hard at work, having turned 80 on Feb. 16.

By 1938, clarinetist Benny Goodman was already known as "The King of Swing" — the leader of the most popular dance band in America at a time when swing jazz was America's most popular music. But nobody knew how it would be received in Carnegie Hall, America's temple to classical music.

Mark Campbell is one of the most prolific and celebrated librettists in contemporary American opera. But, as he recently told an audience at the Guggenheim Museum, not everyone thought his latest project was a good idea.

What role does music play in our national dialogue about immigration? Six young musicians, rooted in six different countries, gathered at Ellis Island, and in Manhattan, to explore that question in a new composition inspired by Woody Guthrie's "This Land Is Your Land."

It's now officially summer, which means it's time to kick back, pour out a glass of rosé and listen to the ever-timeless Overture to A Midsummer Night's Dream, by composer Felix Mendelssohn. The German composer wrote the Overture (Op. 21) when he was only 17, but by then he was a seasoned composer with numerous operas and string symphonies under his belt.

It's become an annual tradition for NPR to host a live band in our studios for a full day. This year, we upped the ante and invited around 70 musicians from Washington, D.C.'s National Symphony Orchestra to play the musical interludes between stories on All Things Considered.

It was The Magnificent Seven that inspired Ramin Djawadi, the musician behind Game Of Thrones' iconic soundtrack, to become a film composer.

It's become a January tradition for NPR to look ahead to some of the most anticipated jazz albums of the year. Bassist Christian McBride, who hosts NPR's Jazz Night In America, and jazz critic Nate Chinen of NPR Member station WBGO join NPR's Audie Cornish to preview three albums coming out in 2017.

Read some of McBride's and Chinen's thoughts below, and hear more of their discussion — including a reflection on the relationship between musicians and critics — at the audio link.

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