Nate Chinen

The low end has always been terra firma for Buster Williams, one of the all-time great bassists in modern jazz.

Moses Boyd Exodus ended its performance at the 2017 South by Southwest music festival with a rampaging take on its trademark tune, "Rye Lane Shuffle." Drummer Moses Boyd, the band's young founder and namesake, rumbled freely on his toms, joined by a fervent-sounding Binker Golding on tenor saxophone. The groove that emerged was Nigerian Afrobeat by way of a modern jazz metropolis — one with every resource at hand.

When Dee Dee Bridgewater learned that she would become a 2017 NEA Jazz Master, a succession of thoughts and feelings flooded her mind. The news came as a total shock, as she tells it: "It was so far out of my orbit and just my whole sphere of thinking," she said in a conversation at NPR this spring, hours before she formally received her award.

Christian Scott aTunde Adjuah, the firebrand trumpeter from New Orleans, doesn't go in for small gestures. His current project is The Centennial Trilogy, a three-album series intended to confront a range of societal issues, especially as they relate to the African-American population. The style of this new work carries a no less ambitious agenda, blending aspects of post-bop, trap and electronics, according to the non-idiomatic designation that Adjuah likes to call "Stretch Music."

Record Store Day, which celebrates its 10th anniversary this year, is a consumer ploy in the guise of a cultural event. Or, depending on your vantage, maybe it's the other way around. Whatever the case, record stores across the country and around the world are happily (or gamely) bracing for impact: Record Store Day 2017 falls this Saturday, April 22, with a wave of exclusive releases, in-store appearances and other retail enticements.

This year's class of NEA Jazz Masters is as accomplished as they come, with Dee Dee Bridgewater on vocals, Dr.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

There's no shortage of poignant moments in I Called Him Morgan, Kasper Collin's mesmerizing new documentary about the life and death of jazz trumpeter Lee Morgan. One moment, about half an hour into the film, has stuck with me since I first saw it, lingering like an afterimage or the hook from a song.

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