Meridee Duddleston

News Reporter, Arts Desk Reporter

Meridee began reporting in the newsroom at WRTI in 2003 while working toward a master's degree in journalism at Temple University.  Since that time, her duties have expanded to morning news anchor and contributor of weekly Arts Desk features.

A graduate of Hamline University School of Law, Meridee grew up in St. Paul, Minnesota, and practiced law before making a major leap into the world of journalism. She also holds a graduate degree from New York University School of Law and received a B.A in Political Science from the University of Colorado at Boulder.

In 2011, Meridee was recognized for outstanding public affairs reporting by the Pennsylvania Associated Press Broadcaster's Association (PAPBA) with awards for two News & Views stories. She received 1st place for "Baby Boomers Becoming Seniors: A Growing Population in Philadelphia," and 2nd place for "TUNE UP PHILLY: Classical Music Instruction as a Vehicle for Social Change."

Meridee can be heard weekday mornings between 6 and 10 am.

Ways to Connect

Pete Checchia / The Philadelphia Orchestra

The 800 members of the League of American Orchestras come from across the country. They include big, small, and medium-sized ensembles, and related arts and cultural organizations. Jesse Rosen is the president and CEO of the League. He spoke with WRTI’s Meridee Duddleston about some of the things happening around the nation as orchestras reinvent their approaches to concerts and audiences. 

Steady work is a coveted and rare prize among many jazz musicians.  WRTI’s Meridee Duddleston visits a force in the local jazz scene who never had a problem getting gigs.  Jazz drummer Charlie Rice has been keeping the beat for more than 70 years and counting.  In April, 2012 the City of Philadelphia recognized Rice as a Jazz Appreciation Month honoree.

© 2016 Estate of Pablo Picasso / Artists Rights Society (ARS), New York | Gift of Ferdinand Howald

An exhibition of paintings, drawings, ballet costumes, and more - on display at the Barnes Foundation - captures a shift in the vision of one of the 20th century’s best-known and influential artists.  WRTI's Meridee Duddleston reports on a current show revolving around Pablo Picasso, an artist who continually surprised the critics, the public, and his compatriots.

The Heiligenstadt Testament, a letter and directive written by Beethoven to his brothers in October, 1802, is an important missive, opened after the composer's death in 1827.

This year’s One Book One Philadelphia selection is Charles Frazier’s novel Cold Mountain.  From now until March 30th, the Free Library will host a series of reading groups, lectures, cooking classes and more as part of this mass reading event. This year, One Book coincides with the East Coast premiere of the opera, Cold Mountain, adding a musical dimension to its literary litany. 

Ludwig van Beethoven’s "Les Adieux" or "The Farewell" sonata (Piano Sonata No. 26) is considered the composer's most significant work from the period between 1809 - 1810. It was a time when the Napoleonic Wars continued to bring upheaval to Beethoven’s adopted city of Vienna, the surrounding region, and beyond.

Today, The Nutcracker ballet is as much a Christmas tradition as eggnog, jingle bells, and mistletoe. But centuries ago - long before a nutcracker appeared on stage - miners in the rural Ore Mountain region of Germany began crafting the ubiquitous household characters. The whimsical, dual-purpose figurines were toys that inspired play among the young, and tools that cracked nuts for all.

A group of Philadelphia-area musicians who share a love of early music, made Renaissance bands new 30 years ago. Their range of instruments? It includes shawms, dulcians, sackbuts, recorders, krumhorns, bagpipes, lutes, guitars, harps, and a variety of percussion.  Earlier this year, the artistic directors of Piffaro, The Renaissance Band provided WRTI's Meridee Duddleston with a glimpse of their musical roots.

Tenor sax player, composer, and arranger Tim Warfield has been performing professionally since he was sixteen.  He was able to improvise at a very early age and says that by now he thinks of the saxophone as an extension of himself.

Drawing on the musically rich resources of Philadelphia, conductor Andreas Delfs plans to put his stamp on how universities can be agents of change, and has bold ideas for reinventing the presentation of classical music. What will a symphony concert be like 10 years from now, or even five? Mobile apps, multi-media elements, pop-up venues, cocktails?

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