Meridee Duddleston

News Reporter, Arts Desk Reporter

Meridee began reporting in the newsroom at WRTI in 2003 while working toward a master's degree in journalism at Temple University.  Since that time, her duties have expanded to morning news anchor and contributor of weekly Arts Desk features.

A graduate of Hamline University School of Law, Meridee grew up in St. Paul, Minnesota, and practiced law before making a major leap into the world of journalism. She also holds a graduate degree from New York University School of Law and received a B.A in Political Science from the University of Colorado at Boulder.

In 2011, Meridee was recognized for outstanding public affairs reporting by the Pennsylvania Associated Press Broadcaster's Association (PAPBA) with awards for two News & Views stories. She received 1st place for "Baby Boomers Becoming Seniors: A Growing Population in Philadelphia," and 2nd place for "TUNE UP PHILLY: Classical Music Instruction as a Vehicle for Social Change."

Meridee can be heard weekday mornings between 6 and 10 am.

Ways To Connect

Pete Checchia / The Philadelphia Orchestra

The 800 members of the League of American Orchestras come from across the country. They include big, small, and medium-sized ensembles, and related arts and cultural organizations. Jesse Rosen is the president and CEO of the League. He spoke with WRTI’s Meridee Duddleston about some of the things happening around the nation as orchestras reinvent their approaches to concerts and audiences.  

Lovers of classical music and jazz, musicians and composers, are acutely tuned in to the acoustics of a performance space. WRTI’s Meridee Duddleston looks at the acoustical demands of a concert hall.

Theories abound about why the violins created in Cremona, Italy from the mid 1500s to the mid 1700s serve as the benchmark among masterpieces. Intriguing research by acoustics experts from the Massachusetts Institute of Technology might provide a clue. 

A new opera tells the compelling story of an American jazz icon in a way that broadens and diversifies opera’s audience. Opera Philadelphia is in the midst of preparing for the world premiere of Charlie Parker’s YARDBIRD.  The role of Parker was composed by Daniel Schnyder with tenor Lawrence Brownlee in mind.

Although you may not realize that it was first composed as a military march, you’ll instantly recognize one of Sir Edward Elgar’s most popular works, "Pomp and Circumstance, March No. 1 in D," - especially the nearly two-minute middle section so commonly associated with graduation.  

It’s no secret that a favorite piece of music can evoke profound pleasure and emotion. We've all experienced the “chills” response. WRTI’s Meridee Duddleston hears from a neuroscientist about the visceral and culturally conditioned effect of music on the brain.

For over three decades, Dr. Robert Zatorre of the Montreal Neurological Institute at McGill University has researched and broken down the complex set of interactions that occur when we experience sounds strung together to produce a full range of emotions - from the sublime to the soulfully sad.

Mayor Michael Nutter and the City of Philadelphia invited jazz pianist and composer MyCoy Tyner back to his roots for an official recognition of his contribution to the city’s jazz legacy on April 1st. It was a wonderful way to kick off Jazz Appreciation Month in Philadelphia.

Born in 1938, Tyner grew up in West Philadelphia, played for John Coltrane’s historic quartet from 1960 to 1965, and then moved on to place his own voluminous stamp on the music, with ever-changing compositions, arrangements, albums and performances.

After being featured on NPR's All Things Considered, Chad Lawson's CD, The Chopin Variations, shot to No. 1 on iTunes Classical before it was even released in September, 2014. Lawson's interpretation of Chopin's nocturnes, preludes, and waltzes involves a surprising reconfiguration of the piano, and offers a sense of intimacy with the music that is likely new to most listeners.

WRTI’s Meridee Duddleston learns about the power of simplicity in her conversation with pianist Chad Lawson.

Herman DeJong is an architect who came to Philadelphia from Holland in the mid 1960s. He played the bass and started connecting with local jazz enthusiasts. He wanted to find a place to invite them to jam. 

Eventually, in April 1990, the Tuesday night sessions began at the 23rd Street Café, thanks to the owners. Over the years, locals and people from around the country and the world have stopped in.

Tap dancer Pam Hetherington says tap can be the visual representation of any kind of music. And jazz tap provides the opportunity for the dancer to reflect the emotions and story inspired by a live jazz combo. A choreographer and a teacher, she says she’s obsessed with tap’s percussive possibilities: hard-driving, soft and sweet, and in between.

Pages