Kile Smith

Classical Host

Kile Smith hosts the contemporary American music program Now Is the Time on Saturdays at 9 pm on HD-2 and the classical stream, and co-hosts Discoveries from the Fleisher Collection on the first Saturday of every month at 5 pm with Jack Moore. Discoveries takes a fresh look at music in the Fleisher Collection of Orchestral Music at the Free Library of Philadelphia, where Kile was curator for 18 years. He also fills in as an on-air classical host.
 
When he's not producing podcasts of CD reviews for WRTI, writing for the Broad Street Review, or teaching private composition, Kile is busy composing orchestral, choral, chamber, and liturgical works. His music is praised by critics and audiences for its emotional power, direct appeal, and strong voice. Gramophone magazine calls his Vespers "spectacular," possessing "sparkling beauty." The Philadelphia Inquirer describes his music as "breathtaking."
 
He's composed for The Crossing, Piffaro, Orchestra 2001, and the Newburyport Chamber Music Festival. He's also written for David Kim, concertmaster of the Philadelphia Orchestra, Jennifer Montone, Philadelphia's principal horn, and Anne Martindale Williams, principal cello of the Pittsburgh Symphony. His website is kilesmith.com.

The weeds in his ever-widening gardens hint that he needs to get outside more.

Ways to Connect

This Saturday at 5 pm on Discoveries from the Fleisher Collection: We heard Charles Ives by way of William Schuman last month on Discoveries, so it’s appropriate that we should hear Schuman on his own this month. You may remember that Ives had composed Variations on “America” for organ in 1891; William Schuman orchestrated it in 1964 and it’s been in the repertory ever since.

Discoveries from the Fleisher Collection, Saturday at 1 pm, starts the Independence Day weekend with that most independent of American composers, Charles Ives. His music is wild, grand, humorous, poignant, and, at times, ornery. Most of all, though, it is shot through with that very American streak of independence.

Discoveries from the Fleisher Collection, Saturday June 6th, 5 to 6 pm... In the last Discoveries we took a snapshot of Saint-Saëns, Ravel, and Poulenc from 100 years ago. Each was from a different world of French music. Camille Saint-Saëns was old: older than the old guard, older than the director of the Paris Conservatory Gabriel Fauré (his student and Ravel’s teacher), and older, even, than Fauré’s predecessor Théodore Dubois.

One hundred years ago, 18-year-old Francis Poulenc was looking for a composition teacher, and being recommended by the pianist Ricardo Viñes to Maurice Ravel, went to meet him, scores in hand. Ravel was already well-known, having composed much of the music for which he is famous today.

It’s the spirit of jazz on Now Is the Time, Saturday, May 6th at 9 pm on WRTI.org and WRTI-HD2. We wanted to call #three “Pound Three” but our (increasingly numerous, as the years go by) younger colleagues said, "Hashtag. Duh." Unperturbed, we contacted the composer Juri Seo (younger than some of our young colleagues), who assured us that saying “Three” was just fine. So there, colleagues.

All varieties of vernacular show up this week on Now Is the Time, Saturday, April 29th at 9 pm on WRTI.org and WRTI-HD2. With movements like Sip ’N Stir (Cedar Rapids, Iowa) and Ramada Inn (Exit 1, New Jersey Turnpike), it sure sounds like Michael Daugherty, and those are two of the movements from his Lounge Lizards for two pianos and two percussion.

On June 10th, 1942, Nazis swept in and obliterated the village outside of Prague. They killed the men, sent the women and most of the children to concentration camps, and burnt or leveled the entire town—even the cemetery.

Life awaits its birth this Saturday before Easter on Now Is the Time, Saturday, April 15th at 9 pm on WRTI.org and WRTI-HD2. Evan Chambers walks through a graveyard and is inspired by inscriptions and poetry in the Introduction to The Old Burying Ground and its last section, Paths of Peace. Then, an empty building in a Memphis night wonders if the sun will ever return, in Abandoned, a monodrama by Kamran Ince.

Passover passes, and remembrance continues on Now Is the Time, Saturday, April 8th at 9 pm. The composer and guitarist David Leisner tells the story, in Acrobats, of circus performers on a concentration camp-bound train who mistakenly end up at a circus.

On Discoveries from the Fleisher Collection, Saturday April 1st, 5 to 6 pm. It almost seemed as if Wilhelm Peterson-Berger was never at home. Born 150 years ago, he grew up in a small northern Swedish town, Umea, nearer to Lapland than to Stockholm. He felt hemmed in and he longed for the wider world. When he discovered Edvard Grieg’s mix of moody lyricism, myth, and folk culture, he was transfixed. He knew that he must become a composer.

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