Kevin Whitehead

Kevin Whitehead is the jazz critic for NPR's Fresh Air with Terry Gross.

Whitehead's articles on jazz and improvised music have appeared in such publications as Point of Departure, the Chicago Sun-Times, Village Voice, Down Beat, and the Dutch daily de Volkskrant.

He is the author of Why Jazz: A Concise Guide (2010), New Dutch Swing (1998), and (with photographer Ton Mijs) Instant Composers Pool Orchestra: You Have to See It (2011).

His essays have appeared in numerous anthologies including Da Capo Best Music Writing 2006, Discover Jazz and Traveling the Spaceways: Sun Ra, the Astro-Black and Other Solar Myths.

Whitehead has taught at Towson University, the University of Kansas and Goucher College. He lives near Baltimore.

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WRTI Picks from NPR Music
1:31 pm
Mon March 24, 2014

After A Painful Year, Bud Powell's Triumpant 1953 Return

Bud Powell pioneered bebop-style improvisation on the piano.
Metronome Getty Images

Originally published on Mon March 24, 2014 2:14 pm

The great bebop pianist Bud Powell played several engagements at the New York jazz club Birdland in 1953. Parts of his shows were broadcast on the radio, and one listener recorded some onto acetate discs. A new collection of those recordings is out now: Birdland 1953 on three CDs from ESP-Disk'. The sound quality isn't much, but the music is terrific.

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WRTI Picks from NPR Music
12:02 pm
Tue February 25, 2014

Still 'Out To Lunch' 50 Years Later

Eric Dolphy in Copenhagen, 1961.
JP Jazz Archive Redferns

Originally published on Tue February 25, 2014 5:15 pm

1964 was a great year for cutting-edge jazz records like Albert Ayler's Spiritual Unity, John Coltrane's A Love Supreme and Andrew Hill's Point of Departure. But none sounds as far ahead of its time as Eric Dolphy's masterpiece Out to Lunch, recorded for Blue Note on Feb. 25, 1964.

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WRTI Picks from NPR Music
3:43 pm
Tue February 11, 2014

In Session: Frank Wess' 'Magic 201' Offers One Last Lesson

Frank Wess.
Hiroyuki Ito Getty Images

Originally published on Wed February 12, 2014 12:35 pm

Frank Wess' new album, Magic 201, is a sequel to last year's similar helping of ballads and midtempo strollers, Magic 101. The new album is very nearly every bit as good, and made a little more poignant by Wess' death just before Halloween. On his last session as a leader in 2011, he was still sounding strong at 89.

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WRTI Picks from NPR Music
12:56 pm
Fri January 31, 2014

Too Much Of A Good Thing? Jane Ira Bloom's Beautiful Ballads

Jane Ira Bloom.
Johnny Moreno Courtesy of the artist

Originally published on Fri January 31, 2014 4:08 pm

When soprano saxophonist Jane Ira Bloom plays Kurt Weill's "My Ship" on her new album Sixteen Sunsets, a pale glow around her notes comes from a simple special effect: pointing her horn under the hood of a piano whose strings are free to resonate. Bloom has always been preoccupied with sound, and has one of the prettiest, clearest tones around on soprano.

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Music Reviews
12:02 pm
Mon January 20, 2014

Lafayette Gilchrist: An Old Soul, At Ease In A Modern World

Lafayette Gilchrist.
Leo H. Lubow

Originally published on Mon January 20, 2014 1:57 pm

For someone who came to piano rather late, at 17, Lafayette Gilchrist has dug deep into its history. He loves the old piano professors who'd pack the punch of a dance band into two hands at the keyboard. Players like Eubie Blake, James P. Johnson and Willie "The Lion" Smith could keep going for hours without exhausting their folkloric materials.

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Music Reviews
3:57 pm
Wed December 18, 2013

Michele Rosewoman Goes Back To Afro-Cuban Jazz's Future

Michele Rosewoman (bottom right) is joined by batá percussionists in performance with her New Yor-Uba Ensemble in 2013.
Tom Ehrlich Courtesy of the artist

When Michele Rosewoman was growing up in the Bay Area, she played piano from childhood and congas from her teens. After moving to New York in the late 1970s, she began making music in two areas: modern jazz and traditional Cuban music. Before long, she started combining the two in her New Yor-Uba band.

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WRTI Picks from NPR Music
1:19 pm
Wed December 11, 2013

Ella Fitzgerald's Early Years Collected In A Chick Webb Box Set

Ella Fitzgerald sings with bandleader Chick Webb in Asbury Park, N.J., in 1938.
Hulton Archive Getty Images

Originally published on Thu December 12, 2013 9:44 am

Drummer Chick Webb's 1930s orchestra terrorized competitors in band battles and sent dancers into orbit at Harlem's Savoy Ballroom. They could be similarly explosive on record, but only rarely. Early on, they did have some hot Edgar Sampson arrangements that Benny Goodman would soon turn into hits, like "Blue Lou" and "Don't Be That Way." But the Webb band also had an old-school crooner, Charles Linton, with pre-jazz-age enunciation.

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WRTI Picks from NPR Music
12:59 pm
Thu December 5, 2013

William Parker's Abstract Grooves Collected In Box Set

William Parker.
Roberto Serra - Iguana Press Getty Images

Originally published on Thu December 5, 2013 2:55 pm

Steve Lacy used to say that the right partner can help you make music you couldn't get to by yourself. Take the quartet William Parker founded in 2000, for example. Parker's bass tone was always sturdy as a tree trunk, but power drummer Hamid Drake gives him lift. The upshot is that free jazz can swing, too. The quartet's front line is another firm partnership: quicksilver alto saxophonist Rob Brown and flinty trumpeter Lewis Barnes.

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WRTI Picks from NPR Music
11:08 am
Mon November 11, 2013

No Need To Cook The Books: Booker Ervin's Debut LP Reissued

Booker Ervin on the cover of The Book Cooks, his debut album.
Courtesy of Bethlehem Records

Originally published on Mon November 11, 2013 1:42 pm

Tenor saxophonist Booker Ervin came to New York in 1958. Pianist Horace Parlan heard him and invited Ervin to sit in one night with a band he worked in. That's how Ervin got hired by bassist Charles Mingus, who featured him on albums like Blues and Roots and Mingus Ah Um.

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WRTI Picks from NPR Music
12:08 pm
Mon November 4, 2013

Amir ElSaffar Navigates Uncharted Blue Notes On 'Alchemy'

Amir ElSaffar's new album is called Alchemy.
Nicole LeCorgne Courtesy of the artist

Originally published on Mon November 4, 2013 3:01 pm

Trumpeter Amir ElSaffar grew up near Chicago, playing jazz trumpet. In the early 2000s, while in his mid-20s, he began investigating the music of his Iraqi heritage, studying in Baghdad and with expatriate musicians in Europe. Then he began combining the two.

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