Jeff Lunden

Jeff Lunden is a freelance arts reporter and producer whose stories have been heard on NPR's Morning Edition, All Things Considered and Weekend Edition, as well as on other public radio programs.

Lunden contributed several segments to the Peabody Award-winning series The NPR 100, and was producer of the NPR Music series Discoveries at Walt Disney Concert Hall, hosted by Renee Montagne. He has produced more than a dozen documentaries on musical theater and Tin Pan Alley for NPR — most recently A Place for Us: Fifty Years of West Side Story.

Other documentaries have profiled George and Ira Gershwin, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein, Lorenz Hart, Harold Arlen and Jule Styne. Lunden has won several awards, including the Gold Medal from the New York Festival International Radio Broadcasting Awards and a CPB Award.

Lunden is also a theater composer. He wrote the score for the musical adaptation of Arthur Kopit's Wings (book and lyrics by Arthur Perlman), which won the 1994 Lucille Lortel Award for Outstanding Off-Broadway Musical. Other works include Another Midsummer Night, Once on a Summer's Day and adaptations of The Little Prince and The Adventures of Huckleberry Finn for Theatreworks/USA.

Lunden is currently working with Perlman on an adaptation of Swift as Desire, a novel of magic realism from Like Water for Chocolate author Laura Esquivel. He lives in Brooklyn, N.Y.

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WRTI Picks from NPR Music
4:52 pm
Fri September 26, 2014

New Boston Symphony Music Director Andris Nelsons: 'It's Not A Job — It's Life'

"The music's kind of oozing out of not just his hands, but his whole body," Boston Symphony managing director Mark Volpe says of the orchestra's new music director, Andris Nelsons.
Marco Borggreve Boston Symphony Orchestra

Originally published on Fri September 26, 2014 8:23 pm

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Music News
6:51 pm
Wed September 10, 2014

Nonesuch At 50: A Record Label Without Borders

Björk's interdisciplinary project Biophilia was released on the Nonesuch label in 2011.
Nonesuch

Originally published on Thu September 11, 2014 12:08 pm

Sometimes good things come in small packages. Nonesuch Records, which started as a tiny independent budget classical label in 1964, is celebrating its 50th anniversary with three weeks of concerts at the Brooklyn Academy of Music. The label became a force in the recording industry by pioneering electronic music and world music, launching the ragtime revival and becoming a place where contemporary classical composers had a home. Now an industry powerhouse, Nonesuch still operates like an independent record company.

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WRTI Picks from NPR Music
5:14 pm
Mon August 18, 2014

Met Opera Tentatively Settles With 2 Major Unions

The Metropolitan Opera has settled labor contracts with two of its largest unions.
Jonathan Ticler Metropolitan Opera

Originally published on Mon August 18, 2014 10:55 pm

A labor crisis threatening to shut down New York's Metropolitan Opera — the largest opera house in the world — appears to have been averted. Two of the major unions announced a tentative settlement this morning. While agreements with 10 additional unions need to be reached by Tuesday night, this represents a major turning point in a bitter dispute.

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Deceptive Cadence
5:07 am
Thu July 31, 2014

On The Eve Of A Possible Lockout, Met Opera Talks Remain Contentious

A worker unveils posters Tuesday for the coming season of New York's Metropolitan Opera. The Met's fall schedule could be in jeopardy if failed labor negotiations result in a lockout Friday.
John Moore Getty Images

Originally published on Thu July 31, 2014 8:12 am

At the Metropolitan Opera, drama is usually onstage. But for the past several months, it's been in the newspapers.

Contract deadlines for 15 of the 16 unions at the Met in New York are set to expire at midnight tonight, and negotiations will likely go down to the wire. A lockout shutting down the world's largest opera house seems imminent.

Management wants concessions from the unions to offset dwindling ticket sales. Union employees think they're being asked to pay for unchecked spending.

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WRTI Picks from NPR Music
8:35 am
Sat July 26, 2014

War Of Words At Met Opera May Signal Shutdown

Bryn Terfel as Wotan in the Met's production of Wagner's Ring cycle, one of the productions that has been criticized by some as too costly.
Ken Howard Metropolitan Opera

Originally published on Sat July 26, 2014 1:32 pm

When an opera company is in the midst of contentious labor negotiations, the results can be dramatic. This week, the war of words between unions and management at New York's Metropolitan Opera, the world's largest opera company, escalated. An Aug. 1 shut down now seems likely.

At the center of the debate is the ballooning Met budget, which stood at $200 million in 2006 but has since climbed to more than $325 million. Met General Manager Peter Gelb asserts that union salaries and benefits are his biggest costs, accounting for two-thirds of the operating budget.

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Deceptive Cadence
4:25 pm
Thu July 24, 2014

Labor Conflict May Lock Out Met Opera Workers

Metropolitan Opera General Manager Peter Gelb has warned union workers of a lockout if a contract deal isn't settled by July 31.
Astrid Stawiarz Getty Images

Originally published on Thu July 24, 2014 6:22 pm

The clock is ticking for the Metropolitan Opera in New York. The world's largest opera company may be headed for a shutdown. Most of the union contracts for the Met expire in a week. Yesterday, Met General Manager Peter Gelb sent a letter to the unions, warning them to prepare for a lockout if they don't come to terms.

For months now, the company and its unions have been at an impasse. Management has proposed cutting 16 percent of union members' compensation. Otherwise, Gelb contends, the company could go bankrupt in two to three years.

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Music News
5:16 am
Sun July 6, 2014

Even Broadway Has Its B-Sides: The Lost Songs Of Sheldon Harnick

Acclaimed songwriter Sheldon Harnick turned 90 in April.
Courtesy of the artist

Originally published on Sun July 6, 2014 12:50 pm

Sheldon Harnick has been a working lyricist for over 60 years. He shared a Pulitzer Prize for his work on the musical Fiorello! and a Tony Award for Fiddler On The Roof. But he says a career in the theater means writing some songs that, for whatever reason, don't make the show.

"Sometimes, the song was changed because a scene was changed and it no longer accommodated the song," Harnick says. "So, sometimes there had to be a new song."

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Deceptive Cadence
5:28 pm
Tue June 24, 2014

New York Philharmonic's Lead Fiddler Rests His Bow

Glenn Dicterow joined the New York Philharmonic as its concertmaster in 1980. He has performed as its soloist every year since.
Chris Lee Courtesy of the artist

Originally published on Wed June 25, 2014 11:58 am

Most people who attend symphony performances can spot the concertmaster. That's the first chair violinist who enters before the conductor and helps tune the orchestra. But the all important position calls for much more than that — from playing tricky solos to shaping the sound of the string section.

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WRTI Picks from NPR Music
4:21 pm
Wed May 28, 2014

State Of The Art: New York Philharmonic's Biennial

Music collective Bang on a Can All-Stars is one of the musical partners sharing a bill with the New York Philharmonic during the Biennial.
Konstantin Sergeyev Courtesy of the artist

Originally published on Wed May 28, 2014 8:22 pm

Alan Gilbert, music director of the New York Philharmonic, isn't scared of new music — and he doesn't think audiences should be, either.

"Frankly, the reason I do new music is I like a lot of it," Gilbert says.

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Music News
10:26 am
Thu February 13, 2014

Collecting Money For Songwriters, A 100-Year Tug Of War

ASCAP CEO John LoFrumento, member Katy Perry and president Paul Williams at the 2012 Annual ASCAP Pop Music Awards in Hollywood, Calif.
Frank Micelotta PictureGroup

Originally published on Thu February 13, 2014 6:06 pm

A hundred years ago, the Italian operatic composer Giacomo Puccini was having lunch in New York with Victor Herbert, the leading composer of operettas in this country. Then, the band in the restaurant began playing music from Herbert's current hit, Sweethearts. Puccini became outraged, according to songwriter Paul Williams, the current president of the performing-rights organization ASCAP.

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