Jack Moore

Classical Host

Jack has been in the broadcasting biz for over 30 years, and his career has covered every aspect of the radio industry from on-air hosting to programming, and from sales to management. His many years of experience include stints at radio stations in Philadelphia, New Jersey, and upstate New York, including six years at WFLN. Jack joined WRTI in 1997 as a classical host and has been program director since 2002.

At Glassboro State College (now Rowan University), Jack majored in music. He still maintains an active professional career as a violist and conductor and has been music director of the Ambler Symphony since 1996; principal conductor of the Orchestra Society of Philadelphia since 1997; and music director of the Olney Symphony since 2002.

Jack is a frequent guest conductor of orchestras throughout the region, including the Ocean City Pops, the Bucks County Symphony, and the Old York Road Symphony. He has also worked with educational and school orchestras in Pennsylvania, New Jersey, and Maryland and has appeared with symphonies in Europe and Russia.

Jack can be heard on weekdays from 10 am to 2 pm, and on the first Saturday of each month from 5 to 6 pm.

Ways To Connect

Join us from 3 to 6 pm on July 8th for a real treat! Nearly 1,500 singers between the ages of 20 and 30 competed in this year's Metropolitan Opera National Council Auditions - considered the most prestigious opera competition in North America.  Five were ultimately selected, and will be heard in our broadcast on Sunday.

The Crossing, conducted by Donald Nally and known for their innovation and commitment to new music, premiere's a work by composer Francis Pott commissioned for the opening concert of the National Conference of the Association of Anglican Musicians.

Join Thomas Hampson for a program showcasing the songs of Stephen Foster. "Stephen Foster's music is the trunk of the tree of American song, sturdy with songs we love to sing," says Hampson. In this program he interviews Ken Emerson,  author of Doo-Dah! Stephen Foster and the Rise of American Popular Culture. They'll explore Foster's music, the varied artistic roots he drew from, and the musical branches that grew from his work.

This is the second broadcast in The Crossing's Month of Moderns series, featuring a world-premiere collaboration with Network for New Music. The 2000 Pulitzer Prize-winner Lewis Spratlan composed a concert-length work for The Crossing; Hesperus is Phosphorus loosely takes the form of a kind of secular vespers – a passage, or crossing, through the philosophical and spiritual canyons of our time. Drawing on the words of American poets, playwrights, and physicists, Spratlan’s music explores growth and loss in our ever-expanding world of discovery.

Join us on Sunday, June 3rd, 3 to 5 pm, as Jeri Lynne Johnson conducts the Black Pearl Chamber Orchestra in an exciting program covering 200 years of music. Works by Astor Piazzola, Adolphus Hailstork, Joseph Haydn, Ludwig van Beethoven, and Joseph Boulogne,  Chevalier de Saint George.

Jeri Lynne Johnson, conductor
Luigi Mazzochi, violin
Jeremy Kesselman, oboe

PROGRAM:

Astor Piazzola:  Four Seasons of Buenos Aires

Adolphus Hailstork:  Songs of the Magi

On Sunday, May 27th, from 3 to 5 pm, THE CROSSING choir will be on the air - bringing you the first concert in their 2012 Month of Moderns summer festival.

Donald Nally leads the acclaimed virtuoso choir in Vermillion Vespers, a new work by Haverford College Professor of Music Curt Cacioppo. It's a significant addition to the limited repertoire of concert-length works for choir and organ.

Complete Program:

On Sunday, May 27th, from 5 to 6 pm, it's the final installment of the 13-part series focusing on the life and career of Conductor Raymond Leppard, who is now the conductor laureate of  the Indianapolis Symphony Orchestra after a 14-year tenure.

An ancient Roman seeking signs from the flights of birds would climb the Janiculum hill, overlooking the city from the west, across the Tiber. If an augur had been stationed there in 1921, he might just as well have considered the progress of a young Howard Hanson, from Wahoo, Nebraska, son of Swedish immigrants, and the first winner of the American Rome Prize for musical composition. Hanson lived for three years at the American Academy in Rome, which sits on that very hill.

Program:

Rimsky-Korsakov was not a man given to high praise. So when he wrote the words "Not bad" in his diary about the music of one of his students, that was unusually complimentary. The student was Igor Stravinsky.

Igor Stravinsky (1882-1971). Symphony No. 1 (1907). Scottish National Orchestra, Sir Alexander Gibson. Chandos 8345, CD1, Tr 1-4. 33:14

Igor Stravinsky. Capriccio (1929). Geoffrey Tozer, piano, Orc hestre de la Suisse Romande, Neeme Jarvi. Chandos 9238, Tr 8-10. 16:59

The Hungarian Fine Arts Commission told Bartok in 1911 that his opera, the only one he would ever write, was no good, not suitable for the stage. With only two singers and no set changes, Bluebeard's Castle just wasn't operatic. He'd later tinker with it some, but the immediate effect of the rejection was that, for four years, he almost completely stopped writing music. Now recognized as one of the greatest composers of the 20th century, Bela Bartok--just entering the height of his powers--went into a composing blackout.

Program:

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