Jack Moore

Classical Host

Jack has been in the broadcasting biz for over 30 years, and his career has covered every aspect of the radio industry from on-air hosting to programming, and from sales to management. His many years of experience include stints at radio stations in Philadelphia, New Jersey, and upstate New York, including six years at WFLN. Jack joined WRTI in 1997 as a classical host and has been program director since 2002.

At Glassboro State College (now Rowan University), Jack majored in music. He still maintains an active professional career as a violist and conductor and has been music director of the Ambler Symphony since 1996; principal conductor of the Orchestra Society of Philadelphia since 1997; and music director of the Olney Symphony since 2002.

Jack is a frequent guest conductor of orchestras throughout the region, including the Ocean City Pops, the Bucks County Symphony, and the Old York Road Symphony. He has also worked with educational and school orchestras in Pennsylvania, New Jersey, and Maryland and has appeared with symphonies in Europe and Russia.

Jack can be heard on weekdays from 10 am to 2 pm, and on the first Saturday of each month from 5 to 6 pm.

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ENCORE!
2:11 pm
Thu March 27, 2014

A Benjamin Britten Celebration with the New York Philharmonic: March 30, 4 PM

Benjamin Britten (1913-1976)

Join us for the Britten centenary celebrated on this week's New York Philharmonic broadcast, with two of the composer's best-loved works: the Serenade for Tenor, Horn, and Strings, and the choral Spring Symphony, Britten's celebration of winter's passing to spring. Sunday, March 30, 4 to 6 pm on WRTI. Alan Gilbert conducts.

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ENCORE!
9:59 am
Sun March 23, 2014

AVA's JUBILATE! Sacred Music and Oratorio Masterpieces on WRTI, March 23, 3 PM

The Academy of Vocal Arts' annual Jubilate! concert is something audiences look forward to each year.

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APPLAUSE: Chamber Orchestra of Philadelphia
5:16 pm
Fri March 14, 2014

Haydn and Legrand: Chamber Orchestra of Philadelphia on WRTI

Harpist Catherine Michel performs with the Chamber Orchestra of Philadelphia

There's an interesting mix on this month's APPLAUSE with the Chamber Orchestra of Philadelphia. One of Joseph Haydn's best-loved symphonies, and the premier of Michel Legrand's concerto for harp and orchestra, make up this month's broadcast, hosted by WRTI's Dave Conant, Sunday, March 16, 5 to 6 pm.

ENCORE!
5:06 pm
Fri March 14, 2014

Symphony in C on WRTI: Tchaikovsky and Corigliano, Sunday at 3 PM

Jason Vieaux

John Corigliano's Troubadors, Variations for Guitar and Orchestra, opens our broadcast of Symphony in C Sunday, at 3 pm.  Philip Mann guest conducts, and acclaimed guitarist Jason Vieaux plays this 1993 work by Corigliano, which the composer describes as a "lyrical" concerto.  The concert concludes with one of Tchaikovsky's best known symphonies, the No. 5 in E minor.  Sunday, March 16, 3 to 5 pm on WRTI.

Jason Vieaux performing in 2010:

ENCORE!
4:01 pm
Wed February 19, 2014

AVA Opera Theater on WRTI: Verdi's LA TRAVIATA on Sunday at 4:15 PM

Lyric soprano Chloe Moore sings Violetta in AVA's LA TRAVIATA
Paul Sirochman

Giuseppe Verdi's three-act masterpiece La Traviata (The Fallen Woman) will be heard in its entirety Sunday afternoon on WRTI, following our Philadelphia Orchestra broadcast. The opera, with libretto by Francesco Maria Piave, is based on the novel by Alexandre Dumas. Originally, the opera was to be titled "Violetta" after the main character of the opera. It's one of Verdi's most beloved and frequently performed works.

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ENCORE!
10:40 am
Sun February 16, 2014

Outstanding Organists! The Chamber Orchestra of Philadelphia on WRTI: Feb. 16 at 5 PM

Organist Alan Morrison

Dirk Brossé is joined by three acclaimed organists on this month's broadcast by The Chamber Orchestra of Philadelphia. Matthew Glandorf, Alan Morrison, and Jeffrey Brillhart join the ensemble for works by Joseph Jongen, Josef Rheinberger, and Maestro Brossé.  That's this Sunday, Feb. 16, 5 to 6 pm on WRTI. Join us!

Program:

Joseph Jongen: Hymne, Op. 78 (1924) - Matthew Glandorf, organ

Happy Valentine's Day!
4:33 pm
Wed February 12, 2014

LOVE Is On The Air! Romantic Music for Valentine's Day on WRTI

Love has inspired composers through the centuries, with the tragic story of Romeo and Juliet probably the most popular. Tchaikovsky, Prokofiev, Gounod, Berlioz, and Kabalevsky all wrote rchestral works, ballets and, operas based on that story, not to mention Nino Rota's film score.

Even Leonard Bernstein’s West Side Story was inspired by the doomed lovers.

WRTI will sample all of them on Valentine’s Day…and bring you other musical love scores, from Ravel’s Daphnis and Chloe, to Gershwin’s Porgy and Bess, and Wagner's Tristan and Isolde.

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ENCORE!
3:34 pm
Thu January 16, 2014

Stellar Soloists With The Chamber Orchestra of Philadelphia: Jan. 19 at 5 PM

Cellist Sara Sant'Ambrogio

First up in this month's Chamber Orchestra of Philadelphia concert is Metropolitan Opera Principal Clarinet Anthony McGill, who joins the ensemble for a performance of Mozart's sublime Clarinet Concerto, K. 622. Then, cellist Sara Sant'Ambrogio of the famed Eroica Trio, plays Robert Schumann's Cello Concerto in A minor. Music Director Dirk Brossé conducts the Chamber Orchestra of Philadelphia.  

ENCORE!
8:20 am
Sun January 5, 2014

American Chamber Music on WRTI: Center Stage From Wolf Trap, Jan. 5 at 4 PM

Pianist Joyce Yang

Join us to hear a chamber music concert recorded live at the Wolf Trap Performing Arts Center.  We'll hear a new work by American-born and Curtis-trained composer Mohammed Fairouz. Violinist Rachel Barton Pine will play his Sonata for Solo Violin. 

Also on the program is pianist Joyce Yang playing Lowell Liebermann's Gargoyles.  

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ENCORE!
7:55 am
Sun December 1, 2013

Beethoven and Shostakovich: Center Stage from Wolf Trap, Dec. 1, 5 PM

Jerusalem String Quartet

Beethoven's Grosse Fuge, despite being misunderstood and under-appreciated for years, has earned a place of its own in the chamber music repertoire.  Originally the final movement of his Op. 130 String Quartet in B-flat, Beethoven wrote another finale for that quartet, and published the Great Fugue separately, at least in part because of the enormous demands the work placed on performers.

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