David Patrick Stearns

Arts Desk Reporter

David Patrick Stearns is classical music critic for The Philadelphia Inquirer and arts reporter for WRTI's Creatively Speaking. He received his master's degree in musicology from New York University while working as music and theater critic for USA Today. He wrote the documentary film David Amram: The First 80 Years and is currently at work on two other documentaries. He is a frequent recording reviewer for the London-based magazine Gramophone. He is also a contributor to Opera News, The Guardian and Obit-Mag.com

Jim Cotter speaks with author Steve Lopez.  His story of destitute musician Nathaniel Ayers is being made into a film starring Jamie Foxx and Robert Downey, Jr.

Susan Lewis takes us to Fashioning Kimono: Art Deco and Modernism in Japan, a new exhibition at the Philadelphia Museum of Art.

David Patrick Stearns looks ahead to Leon Fleisher's performance of Paul Hindemith's Piano Concerto for the Left Hand with Christoph Eschenbach conducting the Curtis Symphony.

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Jim Cotter leads a conversation about arts education in Philadelphia's public school system.

David Patrick Stearns on Leonard Bernstein's third, "Kaddish", symphony.

Jason Peifer previews Mum Puppettheater's interpretation of George Orwell's classic novel Animal Farm.

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Jim Cotter speaks with pianist Rudolf Buchbinder.  He performs Beethoven's Piano Concerto No. 4 with the Philadelphia Orchestra this week.

Susan Lewis takes us to The Clay Studio in Philadelphia, a regional hub for ceramics education, creation, and exhibition.

A conversation with anthropologist Nina Jablonski.  She lectures about The Evolution of Human Skin Color at the Wagner Free Institute of Science on Saturday.

Jim Cotter speaks with the veteran British Actor Christopher Cazenove.  He stars in My Fair Lady at the Academy of Music in Philadelphia.

Philadelphia Inquirer Music critic David Patrick Stearns reports on the Curtis Opera Theater's Ainadamar.

Susan Lewis considers the role of Bach's motets, being performed this weekend by The Choral Arts Society of Philadelphia.

And Jason Peifer visits the Bristol Riverside Theater as it stages the Tony-award winning play, Copenhagen.

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A conversation with Robert Spano--the Music Director of the Atlanta Symphony.

Jason Peifer visits "Baseball As America" at the National Constitution Center in Philadelphia. The 5,000-square-foot exhibition examines the relationship between baseball and American culture.

Susan Lewis explores the this year's jazz-themed Philadelphia Flower Show.

David Patrick Sterns profiles the American composer Elliott Carter who celebrates his 100th birthday this year.

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As The Philadelphia Museum of Art opens a retrospective of the iconic 20th century fine art photographer Lee Miller, Jim Cotter speaks with her son Antony Penrose.

David Patrick Stearns speaks with and profiles the legendary composer and conductor Pierre Boulez; Orchestra 2001 performs his Le Marteau Sans Maitre in concerts this weekend.

As preparations heighten for Philadelphia's annual Academy Ball, Susan Lewis takes a look at the "Grand Old Lady of Locust Street." 

David Patrick Stearns profiles Jan Vogler. The much talked-about cellist is about to make his Philadelphia debut.

Susan Lewis looks ahead to performances of Handel's Messiah.

Jason Peifer looks at the role of the stage manager.

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Vera Wilson, Founder and  President of Astral Artistic Services. For 15 years she has provided career  services to promising young classical musicians.

A profile of Michael Hersch. The Haverford-based pianist and composer's The Vanishing Pavillions has just been released on CD.

Also, a look at the Mendelssohn Club of Philadelphia, one of the country's oldest choruses.

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Mari Yoshihara: Author of <i>Musicians from a Different Shore</i> examines role of Asians in classical music world.

Paul Taylor's <i>Company B</i> headlines Pennsylvania Ballet's season opener with dances set to music by The Andrews Sisters, Bach, and Shostakovich.

Tenor Matthew Polenzani on his role in the Opera Company of Philadelphia's <i>Rigoletto</i>.

Mimi Kenney Smith, coordinator of Independence Starts Here: A Festival of Disability Arts and Culture.

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Pianist Simone Dinnerstein talks about the legendary Glenn Gould and the digital re-performance of his 1955 Goldberg Variations. Dinnerstein, whose own version of Bach's Goldberg Variations has reached the top of the classical music charts, tells us if technology can replicate the man. Also, Amadeus at Philadelphia's Wilma Theater is reviewed.

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