Anastasia Tsioulcas

Director Morgan Neville made one of the most memorable music documentaries in recent times. His 2013 film 20 Feet from Stardom, for which he won an Oscar and a Grammy, chronicled the paths of five undersung rock heroes: the backup singers who enlivened some of popular music's biggest hits.

It's not quite right to say the news came as a shock when the Metropolitan Opera announced Thursday that Yannick Nézet-Séguin would become the house's new music director, beginning in the 2020-21 season. He follows in the footsteps of James Levine, who said in April that he was stepping down after leading the Met for four decades.

One of the world's best-known and best-loved classical musicians has joined the ranks of artists refusing to perform in North Carolina. Violinist Itzhak Perlman canceled an appearance scheduled for Wednesday with the North Carolina Symphony in Raleigh to protest HB2, the controversial North Carolina law limiting civil rights protections for LGBT people.

In 2014, Sergei Roldugin told the New York Times, "I don't have millions."

Widely influential conductor and early-music specialist Nikolaus Harnoncourt has died at age 86 in the Austrian village of St. Georgen im Attergau, near Salzburg.

French composer and conductor Pierre Boulez was one of the most recognized figures in 20th century classical music. His outspoken advocacy for the music of his time earned him fans — and detractors. He died Tuesday at his home in Baden-Baden, Germany. He was 90 years old.

Just as the chaos of World War II was coming to an end, Pierre Boulez was emerging into his life as an artist.

Kurt Masur, a former music director of the New York Philharmonic, died Saturday from complications from Parkinson's disease at a hospital in Greenwich, Conn. His death was announced by the New York Philharmonic.

When you think of Cuban music, contemporary classical most likely isn't the first — or possibly even fifth — genre that springs to mind. But a group of American composers and musicians couldn't resist an opportunity to travel to the island to present their own music and seek out their Cuban colleagues' work — and frankly, neither could I. We traveled together last month to the Havana Festival of Contemporary Music, for the event's 28th edition.