Anastasia Tsioulcas

Anastasia Tsioulcas is a reporter for NPR Music. She reports on a wide range of musical genres and music-industry topics for NPR's flagship news programs, as well as for NPR Music.

Tsioulcas is intensely interested in the arts at the intersection of culture, politics, economics and identity. She has profiled musicians and dancers in contemporary Cuba, a punk drummer from Washington, DC who raced to preserve the artistic traditions of pre-civil war Syria, a band of Muslim and Jewish musicians from Algeria reunited after 50 years, and an interfaith group from Texas rooted in a 700-year-old singing tradition from south Asia. She has also brought listeners into the creative process of musicians like composers Steve Reich and Terry Riley.

As a video producer, she has created some of NPR Music's high-profile music documentaries and performances, including bringing cellist Yo-Yo Ma to a Brooklyn theatrical props warehouse and pianist Yuja Wang to an icy-cold Steinway & Sons piano factory in Queens. Tsioulcas also produces some of the episodes in NPR Music's much-lauded Tiny Desk Concert series, and has hosted live concerts from venues like the Metropolitan Museum of Art and New York's (Le) Poisson Rouge. She has also commissioned and produced several world premieres on behalf of NPR Music, including a live event that brought together 350 musicians on the steps of the Brooklyn Public Library.

Tsioulcas has reported from across Europe, north and west Africa, south Asia and Cuba for NPR and other outlets. Prior to joining NPR in 2011, she was widely published as a writer and critic on both classical and world music, and was the North America editor for Gramophone Magazine and the classical music columnist for Billboard.

Born in Boston, Tsioulcas was trained from an early age as a classical violinist and violist. She holds a B.A. from Barnard College, Columbia University in comparative religion.

A 23-year-old, Russian-born violinist named Artem Kolesov is capturing international attention after posting a YouTube video in which he comes out as gay.

Practice is a physical activity, of course, but it's also hard mental work — if you're doing it right. A new video published by TED Ed gets down to the scientific nitty-gritty of what good practice looks like, and what it does to your brain. (Think axons and myelin, not "muscle memory" — muscles don't have "memory.")

The Polish-born conductor and composer Stanislaw Skrowaczewski, who led the Minnesota Orchestra for nearly two decades and worked with that symphony for well over 50 years in total, died Tuesday at age 93.

In a season of relentless shouting, the best antidote might be singing. Mezzo-soprano Joyce DiDonato's new album with conductor Maxim Emelyanychev and the ensemble Il Pomo d'Oro, In War & Peace: Harmony Through Music, uses Baroque arias to explore the pain and possibilities of these troubled times. A companion website invites anyone and everyone to answer the simple but loaded question, "In the midst of chaos, how do you find peace?"

Brian Eno. David Bowie. Kraftwerk. Radiohead. Aphex Twin. The National. These are just some of the contemporary artists and bands who have looked up to American composer Steve Reich.

Neville Marriner, the conductor and violinist who was something of an entrepreneur as well as the guiding spirit behind one of the most successful classical recordings of all time — the soundtrack to the 1984 smash movie Amadeus — died overnight at age 92 at his home in London. His death was announced by the chamber orchestra he founded, the Academy of St. Martin in the Fields.

American composer Julia Wolfe has won one of the biggest windfalls in the arts world. She is one of this year's MacArthur Fellows, recipients of the so-called "genius grants" given to a wide range of talented figures from the arts, humanities, sciences and social services. The 2016 class of fellows was announced early Thursday morning.

When you think of an orchestra, you're probably picturing refined woodwinds, brass, and strings. But one ensemble I recently met is made up mostly of kids who play instruments made out of literal trash. This is the Recycled Orchestra from Cateura, Paraguay, and their group is the subject of a new documentary film.

Any musician can tell you that there is a profound connection between the breath and making music. There's the physical action, of course — one makes the other possible — but there are also the metaphysical bonds between breathing and creating.

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