Anastasia Tsioulcas

Anastasia Tsioulcas is an Associate Producer for NPR Music. In this role she is responsible for producing, blogging and occasional reporting on classical and world music.

Tsioulcas is co-host of NPR's classical music blog, Deceptive Cadence, and also produces live concert webcasts, ranging from Member Station co-productions to other live concerts and special events, including Field Recordings and Tiny Desk Concerts, that she's helped curate and produce.

While here at NPR, Tsioulcas has produced, coordinated and reported on a variety of topics and initiatives including rallying a few hundred singers to Times Square for a "flash choir" to sing the world premiere of a new Philip Glass piece, commissioned by NPR Music. Tsioulcas also had the opportunity to speak with Pulitzer Prize-winning composer Steve Reich about his piece WTC 9/11 and she produced and co-hosted a live concert at (Le) Poisson Rouge with legendary conductor Daniel Barenboim and his West-Eastern Divan Orchestra, comprised of players from Israel and across the Arab world.

Prior to joining NPR in April 2011, she was widely published as a writer on both classical and world music, and was the former North America editor for Gramophone Magazine and the classical music columnist for Billboard. She has also been an on-air contributor to many public radio programs, including WNYC's Soundcheck, Minnesota Public Radio's The Savvy Traveler, Public Radio International's Weekend America, and the BBC's The World. As a world music journalist, she has reported from across north and western Africa, South Asia and Europe on the music and culture of those regions.

Born in Boston, Tsioulcas was trained from an early age as a Western classical violinist and violist. She holds a BA from Barnard College, Columbia University in comparative religion.

Valentina Lisitsa is a pianist whose worldwide reputation was built on social media. She is now experiencing a major backlash due to what she's been writing on Twitter.

It came to a head with the cancellation of Lisitsa's scheduled performances Wednesday night and Thursday night with the Toronto Symphony Orchestra, which announced earlier this week that she would not be appearing to play Rachmaninoff's Piano Concerto No. 2 with the ensemble and Finnish conductor Juka-Pekka Saraste. Both TSO management and Lisitsa have said she will still receive her full fee.

When you're all grown up, you — at least theoretically — put away childish things. But there are exceptions, as violinist Hilary Hahn proves in her latest recording project.

Dogs barking, wind howling, ice crunching, then the sudden "ch-ch-ch-ch" of a sawing beat: That's composer Derek Charke's opening salvo in his transporting piece Cercle du Nord III.

Ethan Hawke might strike you as an unlikely guide to classical music. But in directing his first documentary, Seymour: An Introduction, he created an intriguing and ultimately profoundly moving tribute to a largely unknown artist, 86-year-old pianist Seymour Bernstein.

There's a kind of little village of artisans on Manhattan's West 54th Street. In a couple of plain looking office towers, there are a bunch of rehearsal studios, violin makers' workshops and other music businesses. Behind one of those office doors on the 10th floor sits Frank Music Company — Frank's, as everybody calls it.

It was supposed to be a celebratory occasion, a high-profile performance of a piece given life by the orchestra that commissioned it — a young composer's music played by other young musicians.

Instead, the performance scheduled for Sunday of Jonas Tarm's music at Carnegie Hall by the highly regarded New York Youth Symphony (NYYS) has been canceled after it came to the attention of the ensemble's administration that the piece contains a quotation from the Nazi "Horst Wessel Lied."

By some measures, China is now the world's largest economy. It's also a gigantic market for American brands, from Hollywood blockbusters to KFC and Pizza Hut. But one Chinese conductor, Long Yu, would like these cultures to hear each other a little more clearly. He's launching a new project to do just that, and it's starting tonight with the New York Philharmonic.

Four a cappella voices making divine music: This has been the heart of Anonymous 4's mission for nearly three decades. And as the group bids farewell this season, they're saying goodbye in a poignant way — with the release of an album that couldn't feel more timely. It commemorates the 150th anniversary of the end of the Civil War and the beginning of Reconstruction.