John Corigliano's Troubadors, Variations for Guitar and Orchestra, opens our broadcast of Symphony in C Sunday, at 3 pm. Philip Mann guest conducts, and acclaimed guitarist Jason Vieaux plays this 1993 work by Corigliano, which the composer describes as a "lyrical" concerto. The concert concludes with one of Tchaikovsky's best known symphonies, the No. 5 in E minor. Sunday, March 16, 3 to 5 pm on WRTI.
With St. Patrick's Day upon us, it's hard to escape the allure of the Emerald Isle, with its rolling heaths, swirling jigs, frothy beer and curious legends. While we can't afford to fly you to Dublin we can offer this humble St. Paddy's Day puzzler.
This Sunday at 1 pm it's the third and final week of the Philadelphia Orchestra’s January Tchaikovsky Celebration on WRTI. The young Russian conductor Tugan Sokhiev will be on the podium for his Philadelphia Orchestra debut, leading the Philadelphians in works by Tchaikovsky, Mussorgsky-Ravel, and Rimsky-Korsakov.
Tickets are now on sale for the 2014 red-hot Longwood Gardens Wine & Jazz Festival! This year, the fun is on Saturday, June 7th, from 2 to 9 pm, and is expanding to a garden-wide experience with live jazz performances on multiple stages throughout Longwood Gardens.
from ensemble, et al.: No Matter How Fast You Run Today, you will Never Catch up to Tomorrow
Julius Caesar had better watch his back on Now Is the Time, Saturday, March 15th at 9 pm at wrti.org and WRTI-HD2. Brutus doesn't show up, but look out for the Silver Dagger of Stacy Garrop, an Appalachian somebody-done-somebody-wrong song. Eric Moe channels comic-book philosophy of "they said it couldn't be done" in Dead Elf Tugboat, and Andy Teirstein throws a bright light on fate with the narrated drama The Shooting of Dan McGrew.
Michael Daugherty's Dead Elvis romps through one corner of pop culture, and Dan Visconti's Lawless Airs through another, with a violin accompanied by a harp sounding like a broken guitar played by a cowboy. The percussion quartet ensemble, et al. cautions with No Matter How Fast You Run Today, you will Never Catch up to Tomorrow, Joshua Rosenblum offers a tonic to the Ides with Forward March, and Mark Zuckerman clears the air of fate with the canon, Grant Us Peace.
With the 2014 release of Kin (←→), Pat Metheny adds one more notch—another restlessly searching album that marks the zone between all jazz, all rock and all-world music—to his belt of aesthetic enterprises filled with zeal and innovation.
Bop Goes the Opera - In 2002, the brilliant saxophonist Joe Lovano took the jazz-meets-classical music concept outside of the box when he recorded jazz versions of tunes from the songbook of opera legend Enrico Caruso. While Viva Caruso was critically acclaimed and did well for Lovano and Blue Note Records, it represented, at the time, the beginning and end of jazz versions of operatic compositions and vice-versa. Until now.
A work originally written for piano has become a staple of the orchestral repertoire. As WRTI’s Susan Lewis reports, the most well-known version combines the mastery of two composers from different generations - one Russian, and one French.
Three-time Pulitzer-winning playwright Edward Albee once vowed to keep writing until he was "90 or gaga." As WRTI’s Jim Cotter reports, this most celebrated of writers moves one year closer to 90 this week, without yet exhibiting too many signs of going gaga.