I hope the Philadelphia Theatre Company extends Orson's Shadow: Austin Pendleton's play is that good and this ensemble makes it better. The play is based on an event in Orson Welles' life: and the facts when it comes to the creator of Citizen Kane are stranger and poignant.
Philadelphia Orchestra music director Christoph Eschenbach. Susan Lewis on William H. Johnson's World on Paper at the Philadelphia Museum of Art, Chamber Orchestra of Philadelphia music director Ignat Solzhenitsyn. Jason Peifer visits the Independence Seaport Museum.
Jonathon Biss has a flourishing international career established through his orchestral and recital performances in North America and Europe and now through his recordings for EMI. His recent recording of Schumann's Fantasie in C, Op.17, Arabeske in C, Op.18 and Kreisleriana, Op.16 has been widely and very warmly acclaimed.
A conversation with Jackie Ryan discusses her CD "This Heart of Mine." Jason Peifer talks with the creators and performers of "Lookingglass Alice" at the Arden Theatre this month. The Lookingglass Theatre production incorporates circus arts with the stories of Lewis Carroll; Susan Lewis spends time exploring stoop art. A community project on the banks of the Schuylkill canal.
We hear a wonderful interview that had been lost (and miraculously found) between eminent jazz pianist-composer Stanley Cowell and acclaimed soprano Julianne Baird. Bob Perkins joins Jill in this very interesting conversation.
As the Philadelphia Orchestra prepares to release its latest CD, we speak with music director Christoph Eschenbach. Jason Peifer examines the role of the dramaturg in theater. Susan Lewis looks ahead to the Japanese Masters of the Brush, the latest exhibition at the Philadelphia Museum of Art.