Like many artists of his generation, singer Ed Reed saw his career interrupted by drug use and incarceration. JazzTimes magazine recently ran a piece on the Narcotic Farm, a prison for addicts in Lexington, Ky., known for the jazz players who performed behind bars. San Quentin, where Reed did his time, also hosted some notorious jazz players, including Art Pepper, Frank Butler and Frank Morgan.
Music Director of The Academy of Vocal Arts since 1977, Maestro Macatsoris began his conducting career in Italy at the Conservatory in Milan. He went on to study conducting privately with such famed maestri as Fausto Cleva, Max Rudolf, and Tullio Serafin, and studied composition with Vincent Persichetti. Among his many performance credits are appearances with Philadelphia Lyric Opera Company, Pennsylvania Opera Company, San Francisco Opera Center, and numerous regional opera companies.
Sunday, January 18 3 to 5 pm New York Philharmonic Lorin Maazel, conductor Susan Graham, Mezzo-Soprano Program: Susan Graham sings arias from Verdi's La forza del destino, Rossini's La gazza ladra, Mozart's La clemenza di Tito, Leh?r's The Merry Widow, Saint-Sa?ns' Danse Macabre, and more...
Flutist Robert Stallman won the George W. Chadwick Medal from the New England Conservatory of Music and received a Koussevitsky Fellowship and the C.D. Jackson Prize at Tanglewood. As a Fulbright Scholar, he studied in Paris with Jean-Pierre Rampal and since then has developed an international reputation as performer, master teacher, editor and arranger who has done much to expand the flute repertoire.
We listen back to Jim Cotter's conversation with Katy Friedland and Marla K. Shoemaker, the authors of the children's book A is for Art Museum. We also drop in on an art program for pre-schoolers at the Philadelphia Museum of Art.
Susan Lewis considers the Penn Museum exhibition Fulfilling a Prophecy: The Past and Present of the Lenape in Pennsylvania.
Jason Peifer explores Sacred Harp Singing, a resurgent a cappella singing tradition that dates back to the early 1800s.
Alexander Glazunov combined the spice of Russian nationalism with the smoothness of European symphonic music. On this edition of Discoveries from the Fleisher Collection, we'll hear the music of this transitional and important figure, the student of Rimsky-Korsakov, and the teacher of Shostakovich.