There's an early start time for Saturday's Met Opera broadcast - it's 12 noon, an hour earlier than usual. This week, the Met Opera presents Alexander Borodin's defining Russian epic, PRINCE IGOR. Famous for its Polovtsian Dances, the opera comes to the Met for the first time in nearly 100 years. Dmitri Tcherniakov’s new production is a brilliant psychological journey through the mind of its conflicted hero, with the founding of the Russian nation as the backdrop.
Take a trip to New Orleans with WRTI's J. Michael Harrison on Tuesday night! We're bringing NOLA directly to you in honor of Mardi Gras. Okay, so we don’t have the warm weather, the parades, or the fun cocktails…but we do have some of the best music from the Crescent City.
You'll hear music from some of New Orleans’ finest, like the Marsalis Family, Louis Prima, Irvin Mayfield, and, of course, Louis Armstrong.
Join Jill Pasternak and Wanamaker Grand Court Organist Peter Richard Conte in our monthly program, recorded at Macy's Center City, on the world-famous Wanamaker Organ. This month, it's music of Robert Elmore (1913-1985), with guest organist Robert Plimpton, from a live concert in the Wanamaker Grand Court in June, 2012. Sunday, March 2, 5 to 6 pm on WRTI 90.1 FM and online at wrti.org
This Sunday, March 2 at 1 PM, WRTI broadcasts a Philadelphia Orchestra concert from January that was part of the first week of a three-week celebration of works by Tchaikovsky and his contemporaries.
British conductor Robin Ticciati returns to Philadelphia after a highly acclaimed debut in 2012. The young maestro launches the celebration with a performance of Tchaikovsky’s Symphony No. 4, taking us on an emotional journey toward an exhilarating affirmation of life’s joys.
Few opera singers' careers begin with Daniel Barenboim telling them to prepare the title role for a season-opening new production of Carmen at La Scala. Yet this was how the Georgian mezzo soprano Anita Rachvelishvili got her big break in 2009.
She had been in a young singers' training program at the storied Milan opera house when Barenboim recognized her potential, and cast her as the iconic, red-dressed, raven-haired heroine.
Duke Ellington was a fascinating figure—so much so that quite a number of books and shorter profiles of the man came to be during his time, and well after his passing. Writers were always peering over his shoulder, trying to get a fix on how he operated his band and made it so successful; they even attempted to poke into his personal life, which the Duke managed to keep fairly secret.