This Sunday’s broadcast of The Philadelphia Orchestra, on November 17th at 1 pm, features a celebrated oboe concerto by Richard Strauss. As WRTI’s Susan Lewis reports, the 1945 work has a Philadelphia connection.
The concert features Mahler's 4th Symphony, Britten's Variations and Fugue on a Theme of Purcell, and the Strauss Oboe Concerto with soloist Richard Woodhams.
Three former Curtis students have been winning over audiences with their chemistry, virtuosity, and ability to think outside the classical music box for over a decade. Zach De Pue and Nick Kendall play violin; Ranaan Meyer plays double bass. Philadelphia composer Jennifer Higdon composed Concerto 4-3 with "Time for Three" (tf3) in mind. WRTI’s Meridee Duddleston spoke with Meyer recently while the trio was in Utah to perform at a benefit for the Utah Symphony.
This Saturday, November 16th, WRTI dedicates its programming to opera. The now annual "Opera Day" is a celebration of this grandest expression of music and theater. WRTI’s Jim Cotter profiles Mezzo-soprano Joyce DiDonato; she's not only one of America’s premiere operatic voices, but also one of the hardiest.
The lullaby of Broadway is turning into more of a mid-evening serenade. Performance times for theater and classical music are shifting, and getting earlier all the time. According to the Philadelphia Inquirer's David Patrick Stearns, it's not just a matter of time slots. It's a lot about us - and technology.
The film ORCHESTRA OF EXILES reveals the story of Bronislaw Huberman, the celebrated Polish violinist who helped to rescue some of the world’s greatest musicians from Nazi Germany, and helped create the Israel Philharmonic Orchestra.
Some famous jazzmen were lucky enough to have songs named in their honor when they were playing with the big bands. Count Basie recorded "Lester Leaps In" when Lester Young was in his 1930's band and Stan Kenton recorded "Zoot" when Zoot Sims was with him. This week we'll also have a couple of recordings featuring the saxophonist and flutist Frank Wess who passed away on October 30th.
We see from surprising paths on Now Is the Time, Saturday, November 9th at 9 pm—our new time, every Saturday night at 9 on WRTI-HD2.
Solo flute entices, with electronics, in Flutepaths by Lawrence Moss, and then the first of two works relate to the hymn "Amazing Grace." James Piorkowski's subtle variations "Once Was Lost…" are for solo guitar.
Christopher Theofanidis's large-breathed On the Edge of the Infinite, for violin and orchestra, brings us to Amazing Grace by Leslie Adams. While the title is familiar, both the music and the words are by Adams. Michael Colgrass bases the Winds of Nagual on Carlos Castaneda's mystic writings from the Mexican wilderness. Hallucinations and shape-shifting lead to a leap into the abyss, which explodes into a thousand views of the world.
Mozart’s comic masterpiece, Così fan tutte, exposes the tension between emotion and reason. Two young men wager that their fiancées will remain faithful, even under extreme circumstances. Director Nic Muni sets the action in Martha’s Vineyard during the late 1960s for this production. Christopher Macatsoris conducts. Don't miss this very special Academy of Vocal Arts broadcast on Saturday, November 9th, 1 to 4 pm.