Join us this Sunday, May 10th, for WRTI's Philadelphia Orchestra in Concert broadcast, which pairs the music of Philadelphia’s own Jennifer Higdon, one of today’s leading composers, with one of her personal favorites: Claude Debussy.
WRTI's Maureen Malloy recently had a chance to sit down with trumpeter Terell Stafford at the WRTI studios. Stafford is the Director of Jazz Studies and Chair of Instrumental Studies at Temple University, founder and band leader of the Terell Stafford Quintet, and Managing and Artistic Director of the Jazz Orchestra of Philadelphia (JOP). He's also a thoughtful, articulate, and humble spokesperson for jazz performance and education.
How did you manage to get Benny Golson to agree to perform with the Orchestra?
This past season, the Chamber Orchestra of Philadelphia celebrated its 50th anniversary. Started as the Concerto Soloists in 1964, by then-Music Director Marc Mostovoy as a way for audiences to hear Baroque and Classical chamber works, and to provide performance opportunities for young professional musicians emerging from the Curtis Institute of Music and other regional training programs, the ensemble's reputation has only grown stronger over the years.
He won the 2015 GRAMMY for "Best Classical Instrumental Solo" for his album, Play, and he collaborates with musicians in a wide variety of styles. WRTI’s Susan Lewis has more on classical guitar virtuoso Jason Vieaux.
Susan Lewis: Jason Vieaux’s Grammy-winning album, Play, showcases his solo work with music from Europe, Africa, Cuba, South America and Mexico – as well as his own arrangement of a Duke Ellington tune.
It’s no secret that a favorite piece of music can evoke profound pleasure and emotion. We've all experienced the “chills” response. WRTI’s Meridee Duddleston hears from a neuroscientist about the visceral and culturally conditioned effect of music on the brain.
For over three decades, Dr. Robert Zatorre of the Montreal Neurological Institute at McGill University has researched and broken down the complex set of interactions that occur when we experience sounds strung together to produce a full range of emotions - from the sublime to the soulfully sad.
Does Philadelphia need another orchestra? Well, it now has the 18-member Prometheus Chamber Orchestra, born out of sheer determination by recent Temple University graduates and finishing up its second season with a go-where-it's-needed philosophy. As the Philadelphia Inquirer's David Patrick Stearns reports, that includes periodic visits to a North Philadelphia soup kitchen.
It’s an English opera composed in Hollywood by a Russian. Igor Stravinsky saw the paintings and engravings by the 18th-century William Hogarth, depicting the consequences of loose living and licentiousness, centered on the fictional Tom Rakewell.
The English W. H. Auden and the American Chester Kallman then created a libretto that introduced a new character, Nick Shadow—the Devil—who entices Tom with promises of happiness and money. Tom loses everything, and ends up, literally, in Bedlam, the insane asylum, with the faithful Anne Trulove by his side.