This Sunday at 1 pm it's a re-broadcast of the 2013/204 season-opening concert from the end of September, featuring Beethoven's awe-inspiring Ninth Symphony. With its universal message of freedom and brotherhood, the Ninth is the crowning achievement of Beethoven’s revolutionary works, its famous “Ode to Joy” serving as a message of hope for all mankind. Showcasing the Westminster Symphonic Choir, and conducted by Music Director Yannick Nezet-Seguin, this performance launched a two-year cycle of all nine Beethoven symphonies.
The Choir will also appear in Beethoven’s rarely heard setting of Goethe’s Calm Sea and Prosperous Voyage, as well as the world premiere of the young American composer Nico Muhly’s newly orchestrated Bright Mass with Canons for chorus, orchestra, and featuring the Fred J. Cooper Memorial Organ.
During intermission, WRTI's Susan Lewis speaks with Yannick about the program, and the new season, and WRTI's Jim Cotter sits down with both tenor Christian Elsner and bass-baritone Shenyang, both of whom play very important roles in this concert.
Not to be missed! That's this Sunday, July 13 from 1 to 3 pm on WRTI.
Saturday, July 12, 2014 would have been the 80th birthday of celebrated American pianist Van Cliburn, who died in 2013. As WRTI’s Susan Lewis reports, his 1958 win in the Soviet Union’s first International Tchaikovsky Competition was a welcome sign of warmth in the midst of Cold War tensions.
Westminster Choir College at Rider University in Princeton, New Jersey is an epicenter for excellence in choral music. As WRTI’s Jim Cotter reports, one of Westminster’s choirs can be heard on WRTI on Sunday, July 13 at 1 pm, conducted by a now very well-known alum of the school.
Great monuments aren’t always great concert halls. The Philadelphia Inquirer’s David Patrick Stearns recently visited the 11th-century Canterbury Cathedral in England, and came to learn a new way of listening.
The Philadelphia Orchestra is performing a two-year cycle of Beethoven’s symphonies. As WRTI’s Susan Lewis reports, although known to generations of music lovers, these great works continue to provide insights into Western musical heritage.
A manuscript of a J.S. Bach cantata casts a new light on how Bach intended the piece to be played. A singer gains insight from a line in a Porgy and Bess manuscript that differs from the final lyrics. The Music Division of the massive Library of Congress in Washington, DC, is a place where performers, composers, scholars and the general public make discoveries of the musical kind.
Case in point: in a series of letters written in 1957 to his wife Felicia, while she was visiting her family in Santiago, Chile, Leonard Bernstein faithfully chronicles the progress of West Side Story during the final weeks of rehearsal through the show’s out-of-town opening in Washington, D.C. The letters reveal Bernstein’s changing emotions about the show from frustration and agony to his final state of euphoria. In addition to comments about West Side Story, Bernstein writes about signing his contract as conductor with the New York Philharmonic, his upcoming thirty-ninth birthday, and how much he misses Felicia and their children, Jamie and Alexander. Read the letters here.
The Special Collections of the Music Division are truly fascinating and constitute a resource for musical scholarship that is unmatched anywhere in the world. These unique bodies of materials are extraordinarily vast and diverse, yet very much interrelated. They include some of the greatest treasures of the Music Division and the Library of Congress.
WRTI has teamed up with The Philadelphia Orchestra and The Mann Center for the Performing Arts to present our first-ever People's Choice Concert. Join us at the Mann on August 1st when the Fabulous Philadelphians play a *program selected by YOU! Gregg Whiteside will be your host for the evening.Astral Artist Eunice Kim (violin) will be the soloist.
Locally born saxophonist Michael Pedicin has lived the life of many men. We know him for his music, but when Maureen Malloy interviewed Michael prior to his Art After 5 performance on June 20th at the Philadelphia Museum of Art, we learned that his career was much more extensive. In case you missed it, below are the clips that aired.
Sex and power are front and center in Wolfgang Amadeus Mozart's riveting La Clemenza di Tito. Can a Roman emperor forgive a woman who either wants to marry him or murder him? And can he pardon the would-be assassin who's supposedly his best friend? Find out in this spellbinding opera broadcast on Saturday, July 5, 1 to 4 pm.