Philadelphia, PA – Access to adequate healthcare is a challenge for close to 1.3 billion people worldwide. In Central America over 140 million people have limited or no access to medical care. On this week's News & Views, Windsor Johnston travels to El Salvador with Temple Emergency Action Corps. The group was formed in the wake of Hurricane Katrina; medical students have since traveled to Honduras and Bolivia setting up clinics in rural areas.
Philadelphia, PA – Wacky deductions, weird expenses, and impossible exemptions - is there anything funny about filing taxes? On this week's News and Views, WRTI's Meridee Duddleston finds out from some of those who know.
The Academy of Vocal Arts has produced some of the world's most brilliant opera stars - and many of them returned to Philadelphia in late March to celebrate AVA's 75th Anniversary and perform in a gala concert. Tune in or listen online on April 11th when we bring you this special concert, recorded live at the Kimmel Center. The concert featured AVA star alumni from the Metropolitan Opera and from around the world.
"Flash Mobs" in Philadelphia: Groups of Young People Converging in the City Have Turned Violent
Philadelphia, PA – "Flash mob" activities in Philadelphia have increasingly turned into violent affairs, frightening visitors and merchants, and drawing stern rebukes from city leaders. WRTI's Jim Hilgen looks at how these social network-driven events started, and measures authorities are taking to combat them in the future.
Join Jill when she interviews violinist and composer David Balakrishnan - founder of the Grammy Award-winning ensemble Turtle Island Quartet. Since its inception in 1985, the ensemble has been a singular force in the creation of bold, new trends in chamber music for strings. The classically trained group has defined a unique style of string playing by crossing the line of classical, jazz, funk, rock, bluegrass bebop, new age, and hip hop.
Composers write music about love all the time. Hugo Alfven - urbane, well-trained, and rising in all the right circles - began one such piece as a young man in his twenties. It so overwhelmed him, however, that 20 years later it had mutated into a craggy three-quarter-hour symphony of four movements played without break, a luxuriant, ardent, and stunning wordless tale of such power that some critics thought it too suggestive for public performance.