Few smallish New Jersey towns have major orchestras, choruses and chamber music performances. But music lives in Princeton: and in many guises, as the Philadelphia Inquirer's David Patrick Stearns now reports.
This Sunday at 1 pm, from a concert at the end of October, Rafael Frühbeck de Burgos returns to conclude his two-week residency, with a French afternoon of exotic, colorful music - Ravel’s Second Suite from his ballet Daphnis and Chloé, Debussy’s colorful images of a musical seascape in his most-famous work, La Mer, and showcasing German violinist Augustin Hadelich, making his Philadelphia Orchestra debut in Lalo’s exuberant Symphonie espagnole.
The relationship of children to parents is not an easy thing to explain. Suffice it to say, we are products of our home environment and we can often give credit to parents for steering their children into the paths that may lead them to the proper education which in turn can result in satisfying intellectual achievement. and perhaps even professional success.
Animals and nature are as big a part of Hélène Grimaud’s world as playing concertos with the great orchestras of the world. For years, the concert pianist's earnings went into the creation of the Wolf Conservation Center for endangered species in upstate New York. Then, after seven years of living in Switzerland, she's living back in North Salem, New York where the Philadelphia Inquirer's David Patrick Stearns befriended her German Shepherd Chico.
Mischievous, menacing, or minuetting, it's dancing on Now Is the Time, Saturday, December 7th at 9 pm—our new time, every Saturday night at 9 on WRTI-HD2 and the all-classical stream at wrti.org.
From her CD How She Danced comes Elena Ruehr's String Quartet No. 4. It includes, as do her other quartets, a dance—in this case, a minuet—among the four movements. There is always much going on beneath the surface of her music, but whether it's mathematics or literature, what we always hear is a focus on beautiful sound. Saxophone and clarinet comprise the sounding beauties of Perry Goldstein's Mischief. It pirouettes, dips, and delights on its way, and is over before we know it. We want to hear more.
Wanting more, desiring the other, and death are elements of opera; Daron Hagen brings them all together, to violent effect, in Bandanna, set on the U.S./Mexico border in the 1960s. Immigrants, law corrupted, and jealousy combine in this finely wrought yet roiling tragedy. We'll hear much of Act Two, where misunderstandings and machinations during a wedding dance propel the drama toward its conclusion.
Mr. Bob Perkins, WRTI jazz host extraordinaire, turns 80 years old today. And for 50 of those years he's been on the radio to the delight of thousands and thousands of listeners. Happy Birthday BP! We love your GM...and you!
Do you have any anecdotes about BP you'd like to share? Any birthday wishes? Please let Bob know in the comments section below. Thanks!
Discoveries from the Fleisher Collection broadcasts Saturday, December 7th, 2013, 5-6 pm on WRTI and wrti.org. Shakespeare continues to live, and if you were to name an orchestral work based on one of his plays, we wouldn’t blame you for coming up with one of the most popular works in the repertoire, Tchaikovsky’s Romeo and Juliet. But it wouldn’t be Discoveries without a curve ball or three, so this month we offer another Fantasy-Overture of his, Hamlet.
The 2013/14 Metropolitan Opera Radio Broadcast season begins on WRTI with a live broadcast of Verdi’s tragic masterpiece Rigoletto, set in Las Vegas and starring baritone Dmitri Hvorostovsky in his first company performance of the title role. Tenor Matthew Polenzani co-stars as the Duke, and two artists make their network broadcast debuts: Bulgarian soprano Sonya Yoncheva, who sings Gilda, and Spanish conductor Pablo Heras-Casado. Bass Štefan Kocán and mezzo-soprano Oksana Volkova are the corrupt siblings Sparafucile and Maddalena.
Two French composers, who wrote and circulated in the same artistic circles, are still being explored and considered together today. Now, in advance of this week’s concert broadcast of The Philadelphia Orchestra on WRTI, Susan Lewis looks at two masterworks that conjure imagery – one on the land, and one on the sea.