Stanford Thompson http://wrti.org en Using Music to Change Lives: Play on Philly http://wrti.org/post/using-music-change-lives-play-philly <p><span style="LINE-HEIGHT: 1.5">Music lives in West Philadelphia, home of Play on Philly, a program modeled after Venezuela’s El </span>Sistema<span style="LINE-HEIGHT: 1.5">, in which under-served children are taught to play classical music.&nbsp; As </span>WRTI’s<span style="LINE-HEIGHT: 1.5"> Susan Lewis reports, the program is as much about social change as it is about music.&nbsp;</span></p><p><strong>Lewis:&nbsp;</strong> Pictures at an Exhibition was the music behind a life-changing moment for trumpet player Stanford Thompson, who was a student at Curtis rehearsing the Mussorgsky&nbsp; work with visiting conductor Simon Rattle:</p><p><strong>Thompson</strong>:&nbsp; He finally stopped the orchestra and he said, you guys sound like robots. Everything’s perfect, mechanical, in tune. He said, there’s a group of students in Venezuela who could outplay you all any day.</p><p><strong>Lewis:&nbsp;</strong>After graduating from Curtis, Thompson went to Venezuela to study El Sistema.&nbsp; He returned to&nbsp; Philadelphia, and founded Play on Philly, which he describes as a social program:</p><p><strong>Thompson</strong>:&nbsp;I think putting kids in an orchestra, having them play with one another, is one of the best ways for them to co-exist in the same space. For them all to have a voice, but not be a jumble of noise. I also think it&nbsp;can build a lot of pride within each child, within their families, and within the community. That’s the main goal of what we do.</p><p><strong>Lewis:&nbsp;</strong>Music, says Thompson, is an ideal vehicle to teach the kind of responsibility that can change lives:</p><p><strong>Thompson</strong>:&nbsp;It’s the only art form that I know&nbsp;that you can put 100 – 200 – 300 people in a room with a common goal. Even on a spiritual level, there are things you can’t really express in words, and I think that emotion can come out of these instruments.&nbsp; That’s why I think music is unique.</p><p><strong>Lewis:&nbsp;</strong>Play on Philly currently has 27 teaching artists, working with 225 students at 2 schools.</p><p></p><p><a href="http://www.wrti.org/where-music-lives" target="_blank"><strong>Let us know <em>Where Music Lives</em> in your community!</strong> <strong>Add your ideas in the comments section here and check out our other <em>Where Music Lives </em>posts.</strong></a></p><p> Tue, 12 Feb 2013 16:14:39 +0000 Susan Lewis 5121 at http://wrti.org Using Music to Change Lives: Play on Philly Superstar Conductor Simon Rattle http://wrti.org/post/superstar-conductor-simon-rattle <p>Simon Rattle, the British-born conductor of the Berlin Philharmonic, is one of the best-known classical musicians alive. His influence shows up in all sorts of places: at the Metropolitan Opera, where musicians still speak of his presence there in reverent tones, and in West Philadelphia where his advocacy of Venezuela’s <em>El Sistema </em>helped inspire trumpeter Stanford Thompson to create <a href="http://playonphilly.org/index.php" target="_blank"><em>Play On Philly</em></a>, a music education program that touches hundreds of lives.</p> Sat, 29 Sep 2012 15:03:00 +0000 Susan Lewis 4511 at http://wrti.org Superstar Conductor Simon Rattle TUNE UP PHILLY: Classical Music Instruction as a Vehicle for Social Change - Part 2 http://wrti.org/post/tune-philly-classical-music-instruction-vehicle-social-change-part-2 <p>WRTI's Meridee Duddleston returns to St. Francis de Sales school in SW Philadelphia to check in on TUNE UP PHILLY - a unique after-school classical music program launched in 2010. Program Director Stanford Thompson, teaching artists, and parents share their thoughts on this Phila. Youth Orchestra project modeled after Venezuela's youth orchestra system.</p> Sat, 11 Jun 2011 13:03:43 +0000 Meridee Duddleston 3386 at http://wrti.org TUNE UP PHILLY: Classical Music Instruction as a Vehicle for Social Change - Part 2