Francis Pott http://wrti.org en Kile Smith Recommends: Francis Pott, In the Heart of Things http://wrti.org/post/kile-smith-recommends-francis-pott-heart-things <p>Whether communication is too easy, or articulation is too difficult, our time is not a time of counterpoint. Instead of corresponding, we post or tweet; instead of reasoning, we shout and repeat, louder and louder. Music is often an event or a stepping-up of rungs of events: hooks and ladders, clanging past, looking for a fire.</p><p><strong>In the Heart of Things: Choral Music of Francis Pott</strong><br>Commotio. Matthew Berry, conductor<br>Naxos 8.572739<br><br>The choral music of Francis Pott, however, flows by, refreshingly contrapuntal. That joy in the working of voices is particularly evident in his 2012 CD, <em>In the Heart of Things</em>. If counterpoint seems anti-modern, he admits it, and points to Thomas Tallis, William Byrd, and other past masters of the polyphonic Mass as models. That’s appropriate, because <em>In the Heart of Things</em> is a collection of his choral music revolving around the most substantial work on the recording, his <em>Mass for Eight Parts</em>.<br><br>From the Kyrie through the Agnus Dei, this <em>Mass</em> is a triumph of intricate beauty. Upper, middle, and lower streams of voices glide by and mingle, their complexity unnoticed because they shimmer. Sometimes they sneak in, as the “Hosanna” does at first in the Sanctus, or roll in waves, gathering strength as at the end of that movement.<br><br>Sometimes the power is overwhelming, as at the end of the Gloria, the final “Amen” surging, unexpected, rank upon rank. Pott composed the Agnus Dei in memory of someone he didn’t know, a past singer of the choir that commissioned this. His gentle, pointed lyricism melts the voices into a sea of comfort.<br><br>Francis Pott was raised in the English chorister tradition, and knows this repertoire from the inside. His setting of a familiar text, such as <em>Balulalow</em> (known by many from Benjamin Britten’s <em>A Ceremony of Carols</em>), or the new <em>Mary’s Carol</em> (Pott wrote this in memory of his father-in-law), always balances freshness of expression with aptness to the language.<br><br>His <em>Lament</em> honors a soldier killed in Afghanistan. Using the poem of Wilfrid Wilson Gibson, “But we, how shall we turn to little things / And listen to the birds… nor feel the heart-break in the heart of things,” we know the composer feels deeply what we also feel. This fellow-feeling is at the heart of artistry.<br><br>Francis Pott weaves a living counterpoint of music and emotion because he himself has sung it. His music breathes the life of tradition, but it is ever fresh, ever modern.</p><p> Mon, 15 Apr 2013 10:34:51 +0000 Kile Smith 5402 at http://wrti.org Kile Smith Recommends: Francis Pott, In the Heart of Things The Crossing: Sunday June 24th at 3pm on ENCORE! http://wrti.org/post/crossing-sunday-june-24th-3pm-encore <p>The Crossing, conducted by Donald Nally and known for their innovation and commitment to new music, premiere&#39;s a work by composer Francis Pott commissioned for the opening concert of the National Conference of the Association of Anglican Musicians. Thu, 21 Jun 2012 15:35:03 +0000 Jack Moore 4027 at http://wrti.org The Crossing: Sunday June 24th at 3pm on ENCORE!