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Credit: Jessica Griffin/Philadelphia Orchestra

His Excellency President Elbegdorj — the leader of the growing democracy situated between China and Russia — spent last Friday, September 23rd in Philadelphia, following the conclusion of his work at the United Nations General Assembly in New York. 


On Discoveries from the Fleisher Collection, this Saturday at 5 pm on WRTI... Looking over the landscape of American orchestral music covering the 19th and into the 20th centuries as we have been, we see two names—not American—looming large. One is Beethoven, the other, Wagner. They are still huge now; imagine them in the eyes of American musicians then.

This week on the Wanamaker Organ Hour, host Peter Richard Conte welcomes back organist and flugelhornist Andrew Ennis as special guest. On the broadcast will be music they’ve performed on the Wanamaker Organ as soloists and together in four-hand arrangements. Plus, Peter accompanies Andrew on flugelhorn, the softer, mellower cousin of the trumpet, on a few works.

Credit: Opera Philadelphia

WRTI’s Meridee Duddleston considers a question of operatic proportion, with notable librettist Mark Campbell.

A new book looks into the tunes that put the "roar" in "The Roaring Twenties." WRTI's Susan Lewis spoke with the author of Tunes of the Twenties and All That Jazz: The Stories Behind the Songs.

Opera Philadelphia’s latest new opera Breaking the Waves turned into one of the company’s big successes. The Philadelphia Inquirer’s David Patrick Stearns considers how this story of a Scottish woman whose marital devotion takes her to a sordid end could be something to sing about.

This week, a new opera based on the popular but controversial Lars von Trier film, Breaking the Waves, opened in Philadelphia. With its potent combination of sex, religion and transgression, the subject matter seems ripe for operatic treatment.

Mat Hennek / DG

Unlocking the secrets in music is a joyful enterprise for pianist Helene Grimaud. WRTI’s Susan Lewis has more on Grimaud’s approach to music and life. On Sunday, October 2nd at 1 PM on WRTI, Helene Grimaud performs Brahms' Piano Concerto No. 2 with The Philadelphia Orchestra.


This week’s Philadelphia Orchestra in Concert re-broadcast brings us a performance from early March, which saw the return to Philadelphia of pianist Hélène Grimaud, who performs a concerto close to her heart, the Brahms Piano Concerto No. 2

Which recording of the famous aria "Quando m'en vo" also known as "Musetta's Waltz" is your favorite? Musetta sings the aria in the second act of Puccini's La Boheme. Please let us know in the comments section below!

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Wednesdays from 12 to 3 pm

The Great Migration

Bob Perkins hosts this series about the "giant steps" African Americans took from the South leading to changes in jazz.

WRTI Arts Desk

Credit: Jessica Griffin/Philadelphia Orchestra

His Excellency President Elbegdorj — the leader of the growing democracy situated between China and Russia — spent last Friday, September 23rd in Philadelphia, following the conclusion of his work at the United Nations General Assembly in New York. 


Credit: Opera Philadelphia

WRTI’s Meridee Duddleston considers a question of operatic proportion, with notable librettist Mark Campbell.

A new book looks into the tunes that put the "roar" in "The Roaring Twenties." WRTI's Susan Lewis spoke with the author of Tunes of the Twenties and All That Jazz: The Stories Behind the Songs.

Opera Philadelphia’s latest new opera Breaking the Waves turned into one of the company’s big successes. The Philadelphia Inquirer’s David Patrick Stearns considers how this story of a Scottish woman whose marital devotion takes her to a sordid end could be something to sing about.

Mat Hennek / DG

Unlocking the secrets in music is a joyful enterprise for pianist Helene Grimaud. WRTI’s Susan Lewis has more on Grimaud’s approach to music and life. On Sunday, October 2nd at 1 PM on WRTI, Helene Grimaud performs Brahms' Piano Concerto No. 2 with The Philadelphia Orchestra.


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