What You Don't Know About The Iconic Olympic Theme Song

If you watch the Olympic Games, surely you recognize the heroic “Olympic Anthem” that’s played on TV. But do you know the story behind this piece of music? Who composed it? How did it become so iconic? Well, here’s the inside scoop…

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Which recording of the famous aria "Quando m'en vo" also known as "Musetta's Waltz" is your favorite? Musetta sings the aria in the second act of Puccini's La Boheme. Please let us know in the comments section below! Listen to The Metropolitan Opera's live broadcast of La Boheme on WRTI 90.1, February 24, 2018 at 1 pm. Listen on the WRTI App!

Credit: Art Streiber

Join us on Sunday, February 25th from 1 to 3 pm to hear guest conductor Michael Tilson Thomas conduct the Philadelphians in a performance of Beethoven’s Third Symphony, the mighty "Eroica," which proved to be not only a turning point in the composer’s career, but in the history of orchestral music.

We’re celebrating the 165th anniversary of Steinway pianos with six LIVE broadcasts from the WRTI 90.1 Performance Studio by Steinway artists.  Our series takes off in style on Monday, February 26 at 12:10 pm with a performance by Eric Fung. WRTI’s Kevin Gordon is host.

Bagpipes often play at police and firefighter funerals, but they also play at celebrations.  And in Philadelphia --The Philadelphia Police and Fire Pipes & Drums play everything from Amazing Grace to the Rocky Theme to music in concert with The Philadelphia Orchestra.


It was the fall of 1802 when Ludwig van Beethoven confessed his nearly fatal despair about his growing deafness, in what’s now known as his "Heiligenstadt Testament." His music then took a daring new turn. WRTI’s Susan Lewis talks with conductor Michael Tilson Thomas about Beethoven's Symphony No. 3, "Eroica."

John Corigliano is one of America's most acclaimed composers. He's won a Pulitzer, an Oscar and five Grammys, and he's still hard at work, having turned 80 on Feb. 16.

Marc Horn

Violinist Joshua Bell is in town playing Wieniawski’s Violin Concerto with The Philadelphia Orchestra, where he made his first major concert debut at the age of 14. Now, over 35 years later, he’s a celebrated soloist, chamber musician, recording artist, and conductor. 

A bestiary in the Middle Ages was a book of illustrations of animals, each accompanied by a moral lesson.   Sir James MacMillan’s musical bestiary for organ and orchestra is informed by his Scottish background, different musical traditions, and a sharp sense of social satire. WRTI’s Susan Lewis has more.

Maybe you can’t be there in person, but you’ll have a chance to listen to history being made in June. WRTI 90.1 and host Gregg Whiteside will bring you the excitement of The Philadelphia Orchestra’s upcoming 2018 tour to Europe and Israel during three simulcasts, each with a one-hour delay.

Born in New York City to Jewish-German immigrants, Lorenz Hart penned some of Broadway’s most haunting, sophisticated lyrics. He began collaborating with composer Richard Rodgers when he was 24 and Rodgers 17.

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Bagpipes often play at police and firefighter funerals, but they also play at celebrations.  And in Philadelphia --The Philadelphia Police and Fire Pipes & Drums play everything from Amazing Grace to the Rocky Theme to music in concert with The Philadelphia Orchestra.


With genius and grace, African-American slaves transformed bitter human experience into a beautiful art form called the "spiritual." One of the most haunting African-American spirituals, “Sometimes I Feel Like a Motherless Child,” was likely borne out of heart-wrenching tragedy: the forcible separation of parent from child.

It was the fall of 1802 when Ludwig van Beethoven confessed his nearly fatal despair about his growing deafness, in what’s now known as his "Heiligenstadt Testament." His music then took a daring new turn. WRTI’s Susan Lewis talks with conductor Michael Tilson Thomas about Beethoven's Symphony No. 3, "Eroica."

Marc Horn

Violinist Joshua Bell is in town playing Wieniawski’s Violin Concerto with The Philadelphia Orchestra, where he made his first major concert debut at the age of 14. Now, over 35 years later, he’s a celebrated soloist, chamber musician, recording artist, and conductor. 

A bestiary in the Middle Ages was a book of illustrations of animals, each accompanied by a moral lesson.   Sir James MacMillan’s musical bestiary for organ and orchestra is informed by his Scottish background, different musical traditions, and a sharp sense of social satire. WRTI’s Susan Lewis has more.

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