Credit: Jessica Griffin

How Pat Metheny's Guitar Music Became a Percussion Concerto for the Philadelphia Orchestra

A classical percussionist takes on the music of jazz guitarist Pat Metheny. WRTI’s Susan Lewis has the story of a new concerto for vibraphone and marimba, arranged by Christopher Deviney, the Philadelphia Orchestra’s principal percussionist.

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On Discoveries from the Fleisher Collection, Saturday April 1st, 5 to 6 pm. It almost seemed as if Wilhelm Peterson-Berger was never at home. Born 150 years ago, he grew up in a small northern Swedish town, Umea, nearer to Lapland than to Stockholm. He felt hemmed in and he longed for the wider world. When he discovered Edvard Grieg’s mix of moody lyricism, myth, and folk culture, he was transfixed. He knew that he must become a composer.

The first opera hit the stage over 400 years ago. More recently, the art form has been adapted to modern media: In the 1920s and '30s, operas were written to be performed on the radio, and in 1951, NBC commissioned Gian Carlo Menotti to compose Amahl And The Night Visitors for television.

Decades ago, jazz on television may have been restricted to the occasional theme song or even an appearance by Ella Fitzgerald on a talk show. But, as WRTI’s Maureen Malloy reports, someone else now joins the big names of the past.

On this Sunday’s Philadelphia Orchestra in Concert broadcast, guest conductor Fabio Luisi is on the podium, and the brilliant young French pianist Lise de la Salle, with whom Maestro Luisi has often collaborated, will be the soloist in Beethoven’s Piano Concerto No. 4.

A leading contemporary conductor explores both music, and—in his free time—fragrances.  As WRTI’s Susan Lewis reports, Fabio Luisi sees many connections between music and perfume.


Falling off the podium or into the orchestra pit weren’t the occupational hazards befalling French Baroque composer Jean-Baptiste Lully - but his was no less risky. Temple University Professor Steven Zohn, an expert in Baroque music, recounts the conducting move that led to Lully’s death.

Though she was blessed with impeccable intonation, a distinctive sound, and a superb sense of timing, Ella Fitzgerald was hindered in her early years by the limitations of the repertoire she sang. It took some time, determination, and visionary collaboration for Ella to find her voice.

Big news! We’ve just launched a new classical series every Monday through Saturday night on WRTI HD-2 and our all-classical stream. It’s “Symphony at 7,” leading off with our popular Philadelphia Orchestra in Concert broadcasts every Monday night at 7 pm, plus a powerhouse lineup of orchestras and concerts Tuesday through Saturday night.

Join us for a re-broadcast of a fabulous performance from 2015 featuring British composer, conductor, and pianist Bramwell Tovey performing in all three roles!

There's no shortage of poignant moments in I Called Him Morgan, Kasper Collin's mesmerizing new documentary about the life and death of jazz trumpeter Lee Morgan. One moment, about half an hour into the film, has stuck with me since I first saw it, lingering like an afterimage or the hook from a song.

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Wednesdays, noon to 3 pm

Wednesdays, 9 pm to midnight

The Metropolitan Opera on WRTI

Saturdays at 1 PM

Choose the Music for the People's Choice Concert!

Vote on what the Philadelphia Orchestra will play on July 26th at the Mann

WRTI Arts Desk

Decades ago, jazz on television may have been restricted to the occasional theme song or even an appearance by Ella Fitzgerald on a talk show. But, as WRTI’s Maureen Malloy reports, someone else now joins the big names of the past.

A leading contemporary conductor explores both music, and—in his free time—fragrances.  As WRTI’s Susan Lewis reports, Fabio Luisi sees many connections between music and perfume.


Falling off the podium or into the orchestra pit weren’t the occupational hazards befalling French Baroque composer Jean-Baptiste Lully - but his was no less risky. Temple University Professor Steven Zohn, an expert in Baroque music, recounts the conducting move that led to Lully’s death.

Though she was blessed with impeccable intonation, a distinctive sound, and a superb sense of timing, Ella Fitzgerald was hindered in her early years by the limitations of the repertoire she sang. It took some time, determination, and visionary collaboration for Ella to find her voice.

Credit: Jessica Griffin

A classical percussionist takes on the music of jazz guitarist Pat Metheny. WRTI’s Susan Lewis has the story of  a new concerto for vibraphone and marimba, arranged by Christopher Deviney, the Philadelphia Orchestra’s principal percussionist.

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